On Tuesday, Feb. 27th, the State of Tennessee continued to pave the way for pivotal legislation to protect artists' creativity. Supported by the Recording Academy since its introduction by Governor Bill Lee in January. The bill has gained significant momentum throughout the State. Amidst the halls of the Tennessee State Capitol, Recording Academy advocates, lawmakers, and industry leaders gathered for a momentous Advocacy Day, rallying behind the groundbreaking legislation known as the ELVIS Act — Ensuring Likeness Voice and Image Security (HB 2091/SB 2096). 

Two hearings on Tuesday propelled the bill forward with unanimous passage in both the Senate Commerce and Labor Committee and House Commerce Committee. Starting in the House, 9-time GRAMMY nominated singer-songwriter and Recording Academy Nashville Chapter Governor Natalie Grant testified in support of the bill alongside two-time GRAMMY winner and Evanescence co-founder David Hodges, who spoke on behalf of the Nashville Songwriters Association International (NSAI). Later in the day in the Tennessee Senate, 9-time GRAMMY nominated singer-songwriter Matt Maher, also a Governor for the Nashville Chapter, testified with Hodges.  

“It's fitting that this bill is named the ELVIS Act, because Elvis performed so many different types of songs – from love songs to the blues, from pop songs to gospel music,” stated Grant, “but he infused them with his distinct voice, likeness, and personal qualities to create something new. Every individual should have the right to control their unique God-given qualities." 

“AI frauds and fakes can impact everyone,” testified Maher. “False and unauthorized depictions driven by digital technology can destroy relationships, businesses, public trust, livelihoods and legacies. It can also tarnish the legacy of people who’ve spent a life trying to express their faith and serve their communities through their art.” 

In addition to Tuesday’s committee hearings, nearly 60 music advocates, including members of the Recording Academy’s Memphis and Nashville Chapters and representatives from the RIAA and NSAI, met with key legislators throughout the day to build support for the ELVIS Act and stress the critical need to ensure that the identities of artists and all individuals are protected against AI fraud.

All of the organizations and individuals participating in the day of action were united by their common commitment to the Human Artistry Campaign, a broad coalition that promotes the ethical use of AI and understands that it can facilitate — but never replace — the fundamental human nature of our culture. 

The ELVIS Act aims to safeguard the core elements of identity: voice, image, and likeness. At its core, the bill seeks to strengthen Tennessee's existing right of publicity law, extending protections to songwriters, performers, music industry professionals and any individual against the misuse of AI-generated content. In an era where technology can blur the lines between creativity and duplicity, the ELVIS Act is vital to ensure that artists' creative expressions remain authentic and shielded from exploitation. 

As the ELVIS Act inches closer to becoming law, Tennessee stands on the brink of history, poised to become the first state in the nation to enact these comprehensive protections for music creators. The positive outcomes of this week’s Advocacy Day in Nashville serves as a testament to the resilience and unity of the artists and music makers.

To join the Recording Academy in this important fight, send a message to Tennessee lawmakers in support of the ELVIS Act through our action center. Your support helps lead to a future where human creativity thrives.

A Rundown Of Recording Academy Advocacy's Activities During GRAMMY Week 2024

Continuing its mission to ensure that music remains an indelible part of our culture around the world, the Recording Academy has partnered with the U.S. Department of State and Secretary of State Antony J. Blinken to help launch the Global Music Diplomacy Initiative, an international initiative that will promote peace, diplomacy and democracy through music worldwide. Using music as a diplomatic tool globally, the initiative will leverage public-private partnerships to create a music ecosystem that expands economic equity and elevates the creative economy, ensures societal opportunity and inclusion, and increases access to education. The Global Music Diplomacy Initiative will also build on existing public diplomacy music programs to create partnerships with American companies and nonprofits to convey American leadership globally and create connections with people worldwide.

The Global Music Diplomacy Initiative also includes the American Music Mentorship Program, a partnership between the State Department and the Recording Academy, which will bring international mid-career music industry professionals and musical artists to the United States for mentorship and networking opportunities. The program will invite Recording Academy professionals and members to provide international participants with mentorship opportunities and professional development.

See a full outline of the Global Music Diplomacy Initiative below.

View this post on Instagram

A post shared by Recording Academy / GRAMMYs (@recordingacademy)

Secretary Blinken announced the Global Music Diplomacy Initiative Sept. 27 during a lively celebration at the U.S. Department of State in Washington, D.C. He signaled the start of the inaugural event by highlighting its attendees. "We have a few dignitaries come through this building, but it is a special treat to have so many members of music royalty here tonight," he said excitedly.

The evening engendered a melodic blend of music, peace and policy. The private event featured breathtaking performances from Dave Grohl, Herbie Hancock, Mickey Guyton, Armani White, and many other leading American and international artists. U2's Bono shared a special video message from Las Vegas as well.

Singer/songwriter Aimee Mann performed her 1999 song "Save Me" with the admission that she was "deeply honored but also a bit freaked out to be here."

Perhaps less nervous, Secretary Blinken added that he couldn't "pass up" the one-in-a-lifetime chance to "combine music and diplomacy," as he performed Muddy Water's 1954 classic, "Hoochie Coochie Man."

"If this doesn't clear the house, I don't know what will," Blinken said playfully ahead of his performance.

In addition to the performances, Secretary Blinken and Recording Academy CEO Harvey Mason jr. presented 28-time GRAMMY winner Quincy Jones with the inaugural Peace Through Music Award.

A collaboration between the Department and the Recording Academy, the award recognizes and honors an American music industry professional, artist, or group that has played an invaluable role in cross-cultural exchanges and whose music work advances peace and mutual understanding globally.

"His work, his actions continue to advance peace through music, and I am sure they will for generations to come," Mason jr. said. "It's my true honor to recognize my friend and mentor, Mr. Quincy Jones, as the first-ever recipient of what will now and into the future be known as the Quincy Jones Peace Through Music Award."

Read More: Mogul Moment: How Quincy Jones Became An Architect Of Black Music

The Global Music Diplomacy Initiative was developed pursuant to the bipartisan Promoting Peace, Education, And Cultural Exchange (PEACE) Through Music Diplomacy Act, which was championed by the Recording Academy and its members in 2022 at GRAMMYs On The Hill and during the annual grassroots District Advocate Day. The legislation, introduced by House Foreign Affairs Committee Chairman Michael McCaul (R-Tex.), was passed by Congress and signed into law by President Biden in December 2022.

Here's a complete breakdown of the Global Music Diplomacy Initiative:

• American Music Mentorship Program

The American Music Mentorship Program, a partnership between the U.S. Department of State and the Recording Academy, will bring international mid-career music industry professionals, which may include musical artists, to the United States for mentorship and networking opportunities, with an aim to cultivate a professional music industry ecosystem locally and globally, to support creative talent, and to strengthen the creative economy globally. It will leverage the networks and experience of Recording Academy professionals and members to provide international participants mentorship opportunities, boost their technical skills, and build the foundation for professional networks.  The first American Music Mentorship Program will be held in the fall of 2024.

• Fulbright-Kennedy Center Visiting Scholar Award in Arts and Science

The Fulbright Program, the United States' flagship international academic exchange program, will collaborate with the John F. Kennedy Center for the Performing Arts to create a new fellowship opportunity for foreign scholars.  The new Fulbright-Kennedy Center Visiting Scholar Award in Arts and Science will focus on the intersections of the arts (music, dance, theater, etc.) and science, including how the arts can contribute to individual and global health and well-being, and the environment. An award competition will be announced in fall 2023, and the Kennedy Center will host the first scholar in academic year 2024-25.

• Boosting English-Language Learning Through Music

Recognizing the strategic importance of English-language learning overseas, especially for youth and underserved communities, the Department will incorporate music into its existing $40 million investment in English-language learning worldwide, including through exchanges, curriculum, and scholarships to provide access to English-learning classes for promising students between the ages of 13 and 20.

The Department will augment broader global English-language learning by supporting Sing Out Loud, a program that provides resources for teaching English through music in collaboration with American Music Abroad (AMA), bringing music and lyrics into classrooms across the world.

In addition to the Secretary's announcements, the Global Music Diplomacy Initiative will include vast programming around the world, including:

• Arts Envoys to Travel to the Middle East, People's Republic of China

Herbie Hancock, along with Dee Dee Bridgewater and the Herbie Hancock Institute of Jazz Ensemble at the University of California – Los Angeles (UCLA), will be performing in Jordan in October to celebrate the 60th anniversary of the 1963 Jazz Ambassador tour of the Duke Ellington Orchestra.

The Herbie Hancock tour will then travel to Saudi Arabia for a four-day Arts Envoy program – the first of its kind between the United States and Saudi Arabia.

From November 9-18, 2023, The Philadelphia Orchestra is slated to commemorate the 50th anniversary of its historic 1973 tour of the People's Republic of China (PRC) with Ensemble Performances and Residency Activities in multiple cities in the PRC.

• Ten American Bands to Travel to 30 Countries Starting in October Through American Music Abroad; AMA Academy Cleveland to Host Young Professional Musicians from Ukrainian Diaspora

Beginning in October 2023 and representing multiple genres, Birckhead, The Beatbox House, The Invisibles, Marielle Kraft, Matthew Whitaker, Pipeline Vocal Project, Raining Jane, Sihasin, Sub-Radio, and Tap Music Project will travel to 30 countries from October 2023 through June 2024.

In November 2023, the 2023 American Music Abroad Academy Cleveland will bring together young professional musicians from the Ukrainian diaspora and around the world for collaboration and mentorship opportunities from American instructors with a focus on cultural preservation through music. Learn more about AMA here.

• Next Level to Use Hip Hop in Nigeria, Bring International Artists to the U.S. to Focus on Conflict Transformation

In September 2023, four U.S. hip hop artists focusing on conflict transformation will travel to Lagos for a two-week Next Level Academy.  In addition, 10 international participants will travel to Washington, D.C. and New York, New York for a two-week professional development program on conflict transformation through hip hop. Learn more about Next Level here.

• Scaling Social Entrepreneurship Projects, Strengthening Creative Economy Through OneBeat

From November 6-20, 2023, musicians from Ghana and Nigeria will come together to collaboratively create and discuss how music can bring people together through social entrepreneurship projects, as part of the OneBeat program. Learn more about OneBeat here.

• Harmundi International Music Summit to Welcome Students from Every Continent in November 2023

Virtually connecting more than 60 international students from every continent through music, the Harmundi Summit will provide intense music training, cross-cultural collaboration, studio recording, and live performances under the mentorship of world-class musicians and producers.  The Summit, which will take place November 3-5, 2023, will be led by alumni of the Department's exchanges, and is part of the Department's Citizen Diplomacy Action Fund.  This fund provides grants of up to $10,000 for public service projects that utilize the skills, knowledge, and networks exchange alumni gained through their exchange experiences.

Learn more about the Global Music Diplomacy Initiative.

How Vice President Kamala Harris And The Recording Academy Celebrated The 50th Anniversary Of Hip-Hop: 'Hip-Hop Culture Is America's Culture'

It was emotionally stirring to stand before the U.S. Capitol on April 27. It was Advocacy Day, the day immediately following the 2023 GRAMMYs On The Hill Awards, and members of congress and music industry leaders met at a press conference to announce the reintroduction of the Restoring Artistic Protection (RAP) Act, while also reflecting on what hip-hop means to them.

"Imagine being a young, Black teenager in New York City and watching the movie Do the Right Thing, directed by Spike Lee. The story of Radio Raheem. The story of Sal's Pizza. The story of no Black people on the wall," said Rep. Jamaal Bowman (D-NY), who along with Rep. Hank Johnson (D-GA) introduced the bill on that glorious spring day.

"Now, I'm in Congress in 2020, walking around asking, 'Where the hell are all the Black people on the wall?' because of a movie like that," the congressman continued. "I wouldn't be here if it wasn't for Eric B. & Rakim, Big Daddy Kane, KRS-One, X-Clan, Public Enemy, Brand Nubian."

Rep. Bowman went on to express how Rakim's philosophy of self-knowledge provided a foundation for his thinking. But then, a moment of startling truth struck, one totally apropos to the occasion for this gathering.

"I could differentiate between N.W.A.'s music and how I should behave in society," Rep. Bowman stated. "I didn't want to go mimic what they were saying. I knew it was them expressing what was going on in their community and them sensationalizing certain things.

"That's what artists do. That's what Stephen King does. That's what George Lucas does," he added. "Pick your art, pick your director, pick your writer, pick your author — this is what they do."

Read More: Here's What Went Down At GRAMMYs on the Hill Advocacy Day 2023, A Fight For All Music Creators On Capitol Hill

The Restoring Artistic Protection Act is a bill that would limit the use of song lyrics as evidence in courtrooms nationwide; while it applies to all styles of artistic expression, it disproportionately affects artists who are people of color, particularly members of the hip-hop sphere.

While GRAMMYs On The Hill, which advocated for the bill, may have come and gone, carry the fight forward with these impactful quotations from the Advocacy Day press conference and the GRAMMYs On The Hill red carpet.

It’s a really slippery slope. If you start allowing art to be used as evidence, it’s going to change the nature of how people filter the way they think and write. It’s going to change their storytelling ability. When you’re creating, you have to be free to tell a story — to create magic, to dream. This isn’t reality TV. These aren’t documentaries. These are things that are sometimes escapism. Sometimes, they’re fantasies. They’re aspirational. There are a lot of reasons why people write songs, and we can’t have these lyricists or writers held liable for things they say in the middle of a piece of art.

— Harvey Mason jr., CEO of the Recording Academy

[The First Amendment] is the foundational stone of democracy. If you don't have freedom of expression, if you don't enable artists to create without fear of prosecution or censoring, you don't have democracy.

— Panos A. Panay, President of the Recording Academy

The government should not be able to silence artists simply because they write, draw, sing, or rap about controversial or taboo subjects.

— Rep. Hank Johnson (D-GA)

As a music creator myself, I know how important it is that we safeguard artists' freedom to create at all costs and to work to eradicate the biases that come with the unconstitutional practice of using lyrics as evidence, which disproportionately affect artists of color and penalizes the creativity of Black and Brown creatives. This discriminatory practice must come to a halt, and not only for artists making rap music. Criminalizing creative works has a dangerous impact on all genres of music, on all forms of creative expression from hip-hop to jazz to classical dance to literature.

— Rico Love, Vice Chair on the Board of Trustees of the Recording Academy and Black Music Collective Chair

You know, rap music actually is folk music, because folk music is the voice of the people. And this is the voice of a community of people that must never be stifled, must never be muzzled. [It] must never be a rolling stone, a rabbit hole into more and more censorship because people are afraid that if they say something, it might be admissible in court and it might be held against them — when, actually, it falls under the First Amendment and it is their right to express themselves because they're expressing the voice of the people.

— Actress, comedian, writer, and president of SAG-AFTRA Fran Drescher

So let's not just simply think that rap artists deserve to be prosecuted based on their lyrics and nothing will happen to my music or to my graffiti or to my poetry, to my song in a different genre, or to my play or my TV show, my pilot. Let's all come together at this point and nip it in the bud while we still have a chance to do so. If we let it keep going, the monster will just get bigger and bigger.

— Rep. Hank Johnson (D-GA)

I know this may come as a surprise, but sometimes, art depicts violence. Whether it's Mario Puzo's The Godfather, Quentin Tarantino's Reservoir Dogs, Bob Marley's 'I Shot the Sheriff,' Johnny Cash's 'Folsom City Blues' — it's all protected, all of it. Ice-T isn't a 'cop killer' — nor is he a cop, despite now playing one on TV.

— Joe Cohn, director of FIRE's Legislative and Policy department

Our creativity is our humanity and our art is our air. If you crush our art, you take away our air. You choke us off from breathing and participating in a democracy.

— Rep. Jamaal Bowman (D-NY)

Hip-hop is the most significant cultural force on the planet. It grew out of the pain, the struggle, the disenfranchisement, and joy of young Black America. Hip-hop affects the voices of the unheard and the most often under attack just for our existence. We are clear that through hip-hop culture, many have broken cycles of intergenerational poverty. Therefore, we are not confused by this attack on our culture. We are clear that this is another angle to ensure that the prison-industrial complex has a steady flow of subjects to bear out the intended design. This did not lose us.

— Acclaimed rapper and co-chair of the Black Music Action Coalition Willie "Prophet" Stiggers

Hip-hop is what made me. It's who I am. If you cut me open, I bleed the culture. From my time as a teenager, from running Def Jam for more than 20 years or leading Electra 300 today, I've seen this issue across nearly four decades in the music business. And so, to paraphrase Fannie Hamer, I'm sick and tired of being sick and tired of the same damn thing.

— Kevin Liles, CEO, Chairman of the Board, Co-Founder of 300 Entertainment

We cannot stop at today. We have to continue to fight this fight every single day because our First Amendment dictates that we have the freedom to speak and express ourselves.

— Rep. Jamaal Bowman (D-NY)

How The 2023 GRAMMYs On The Hill Awards Addressed The Changing Music Landscape, Celebrated Music Champions & Pushed The Industry Toward Progress

Today, Recording Academy leaders and members joined Congressmen Hank Johnson (D-GA) and Jamaal Bowman (D-NY) at a press conference on Capitol Hill to announce the reintroduction of the Restoring Artistic Protection (RAP) Act. Intended to protect artists' freedom of creative expression, the RAP Act would limit the use of song lyrics in court — a common practice that disproportionately affects rap and hip-hop artists. Artists and industry advocates, including Recording Academy CEO Harvey Mason jr. and Recording Academy Board of Trustees Vice Chair and Black Music Collective Chair Rico Love, shared their views on the importance of passing this legislation and ensuring all artists can create freely without fear of their work being criminalized. Watch the full press conference below.

The announcement comes on the heels of the Recording Academy's Annual GRAMMYs on the Hill, a two-day event that honored 13-time GRAMMY winner Pharrell Williams, Senate Majority Leader Chuck Schumer, and Senator Bill Cassidy for their stalwart support of music creators and connected music creators with members of Congress from both sides of the aisle to advocate for the RAP Act, the Help Independent Tracks Succeed (HITS) Act, the American Music Fairness Act (AMFA), and reform of the live event ticketing marketplace.

View this post on Instagram

A post shared by Recording Academy / GRAMMYs (@recordingacademy)

"GRAMMYs on the Hill has been bringing music creators to Capitol Hill for more than 20 years to elevate policy issues that impact our community. Today, we're proud to see our Academy members' commitment to advocacy come to life with the reintroduction of the Restoring Artistic Protection Act. We must safeguard artists' freedom to create at all costs and work to eradicate the biases that come with the unconstitutional practice of using lyrics as evidence. We are grateful to Congressmen Johnson and Bowman for their unwavering commitment to music people and look forward to working alongside them to advance this issue." – Harvey Mason jr., CEO, Recording Academy, and Rico Love, Chair, Recording Academy Black Music Collective

"This legislation is long overdue," Congressman Johnson said. "For too long, artists – particularly young Black artists – have been unfairly targeted by prosecutors who use their lyrics as evidence of guilt, even though there is no evidence that the lyrics are anything more than creative expression. When you allow music and creativity to be silenced, you're opening the door for other realms of free speech to be curtailed as well. The government should not be able to silence artists simply because they write, draw, sing, or rap about controversial or taboo subjects. The Restoring Artistic Protection Act (RAP Act) would protect artists' First Amendment rights by limiting the admissibility of their lyrics as evidence in criminal and civil proceedings."

"Rap, hip-hop and every lyrical musical piece is a beautiful form of art and expression that must be protected," said Congressman Bowman Ed.D. "I am proud to introduce the RAP Act alongside Rep. Hank Johnson. Our judicial system disparately criminalizes Black and Brown people, including Black and Brown creativity. For example, Tommy Munsdwell Canady is a young 17-year-old kid serving a life sentence whose conviction heavily relied upon lyrics he wrote. I was deeply moved to hear that Mr. Canady continues to pursue his art in the face of our carceral systems that would otherwise stifle Black art. He is not an outlier. Evidence shows when juries believe lyrics to be rap lyrics, there's a tendency to presume it's a confession, whereas lyrics for other genres of music are understood to be art, not factual reporting. This act would ensure that our evidentiary standards protect the First Amendment right to freedom of expression. We cannot imprison our talented artists for expressing their experiences nor will we let their creativity be suppressed."

There are over 500 documented cases since the 2000s where prosecutors have used lyrics as criminal evidence in court against an artist defendant. A 2016 study by criminologists at the University of California examined whether rap lyrics are evaluated using stereotypes and found that rap was evaluated more negatively than other genres of music, highlighting the possibility that bias against rap lyrics could inappropriately impact jurors when admitted as evidence to prove guilt. To right this wrong, the Recording Academy has spearheaded efforts to protect the First Amendment rights of artists nationwide by working to limit the use of an artist's lyrics — among other forms of creative expression — as evidence in criminal proceedings.  

On Sept. 30, 2022, California Governor Gavin Newsom signed the Decriminalizing Artistic Expression Act into law alongside Recording Academy CEO Harvey Mason jr. at a virtual bill signing.

This year, the Academy is working to advance similar legislation in several states, including Louisiana, where HB-475 passed a House vote on April 25; Missouri, where HB-353 recently advanced to the House for a vote; and in New York, where a similar bill passed through the Senate in 2022.

Inside GRAMMYs On The Hill 2023: How The Recording Academy Will Fight For Creator's Rights