Claudio Sanchez of Coheed and Cambria

Photo courtesy of the Recording Academy™️/photo by Rob Kim, Getty Images© 2022.


Coheed And Cambria Discuss Their History, Perform 'Vaxis II' Songs To Rapt Audience At The GRAMMY Museum's "A New York Evening With…" Series

During the latest edition of the GRAMMY Museum's live interview and performance series, Coheed and Cambria did something more intimidating than rock a sold-out stadium — they spoke to fewer than 200 people in a small theater.

Recording Academy/Oct 11, 2022 - 08:32 pm

"I'm just trying to get the nerves out of my face," Claudio Sanchez admitted, holding his hands to his slightly stricken visage. During Coheed and Cambria's Q&A on Oct. 7, as part of the GRAMMY Museum's "A New York Evening With…" series, the act of public speaking got to their bandleader's head.

This was interesting, given what the band does on a regular basis: channeling their maximum-ambitious sci-fi mythology through hair-raising rock, in massive venues for thousands — like Forest Hills Stadium, which they rocked last July. But sitting onstage in a 160-cap room and simply talking was a whole other ballgame, with its own set of challenges.

What happened next was proof positive that some musicians communicate most clearly through exactly that — their music.

Because after Sanchez, guitarist Travis Stever, and bassist Zach Cooper strapped on their instruments — and drummer Josh Eppard took a seat on a cajon — they were on fire. The acoustics in the small theater were just about perfect, the band's playing was rock-solid, and bandleader Claudio Sanchez's singing was as dynamic and powerful as ever.

Whether Coheed were performing tunes from their new album, Vaxis — Act II: A Window of the Waking Mind, or post-Y2K favorites that put them on the map, like "A Favor House Atlantic" and "Welcome Home," the crowd at Leonard Nimoy Thalia Theatre at the Peter Norton Symphony Space sent otherworldly vocal counterpoint into the rafters.

Between songs, a woman inquired: "Feel better?" And it was clear from the aplomb that settled over Sanchez's face that he certainly did — what might be difficult to say, he can easily sing.

Read More: Coheed And Cambria Teased A Key Character In Their Last Album, Vaxis: Act I. But Who Is Vaxis, Really?

Such is the unique format of the GRAMMY Museum's "A New York Evening With…" series: It provides a new challenge for artists, offering an intimate view into their backgrounds and processes through Q&As and stripped-down performances in small rooms. Jon Batiste kicked off the series last June, at Lincoln Center's New York Public Library for the Performing Arts. An evening with Gavin DeGraw followed, at the Greene Space.

Unlike those showcases, this edition involved four guys on the mic — moderated by Jason Lipshutz, who works as the Executive Director, Music at Billboard. During the chat, the contrast between their larger-than-life fictional universe and presentation — and the realities of playing music on terra firma — were fully apparent.


*Coheed and Cambria with Jason Lipshutz. Photo courtesy of the Recording Academy™️/photo by Rob Kim, Getty Images© 2022.*

The fans may have been immersed in the celestial drama of The Amory Wars, which plays out "amidst a star-spanning collection of 78 planets known as Heaven's Fence" and is episodically threaded through their studio albums. In short, they're into this band for magic — the specific type that Coheed and Cambria can imbue their lives with.

Nick Cucci, the Executive Director of the Recording Academy's New York Chapter, touched on this in his introduction to the show, calling Coheed and Cambria "truly the greatest band on the planet." (Cucci got involved with the band during their earliest days, falling in love with "Blood Red Summer" and working behind the scenes on the album it appeared on, 2003's In Keeping Secrets of Silent Earth: 3.)

"They're incredibly creative musicians; they've created stories and characters that are synonymous with the band — that we bring with us," Cucci continued. "Whether it's Ambellina, or the Writing Writer, or Sister Spider, or you-name-it — they're with us."

But Lipshutz's line of questioning almost entirely eschewed this matrix of characters and lands, drilling down into the things many musicians deal with — recording during a pandemic, the ups and downs of a 20-year career, balancing your musical works with supplemental media.

While this may not have produced many — or any — easter eggs for fans regarding their multimedia fantasia, it bridged a gap between Coheed's larger-than-life creations and their realities on the ground.

"Creating The Amory Wars was just a way to hide what my real story was," Sanchez explained. "They come from a very personal place where the comic allows me to be honest in the songs, if that makes any sense."


*Coheed and Cambria. Photo courtesy of the Recording Academy™️/photo by Rob Kim, Getty Images© 2022.*

Speaking to in 2021, Sanchez detailed how the themes of The Amory Wars aren't so far-out after all — and that's partly what draws new waves of fans year after year.

"Family is one of the recurring themes," he said, pointing to their band name — which enshrines the protagonists at the heart of the story. "I understand this plays out in this world that needs to be described to the listener, but I also don't want to overburden them. I want people to listen to the words and find something they relate to."

Drummer Josh Eppard and guitarist Travis Stever mostly carried the Q&A, where they shared memories of the band — including recording The Second Stage Turbine Blade, which turned 20 this year — as well as recording tidbits from Vaxis — Act II: A Window of the Waking Mind.

According to Sanchez, Vaxis II's intrepid leaps into unexpected styles — strains of R&B and synth-pop and dance — had to do with the global event that affected all of us in 2020.

"I think it was that idea of, 'Will we even have a future?'" Sanchez said. "I started to see the limitations I posed for myself, that were just sort of accidental with time. You sort of take the easy road, or the common road, because that's just what you're comfortable with. But I started to realize, 'Maybe tomorrow isn't going to happen.'"

To Eppard, Vaxis II's "Disappearing Act" was Exhibit A regarding this ranginess — "the nucleus of my feeling that this would be a divisive Coheed record." But during their last run of shows, those anxieties were assuaged: "It was so visible — visually obvious — that it had struck a chord with the audience."

Again: sometimes, music is better than words: when Coheed and Cambria performed "Disappearing Act," you could feel that energy rippling through a cross-section of their most devoted followers.

Read More: Coheed And Cambria's Claudio Sanchez On The Reaction To Vaxis: Act II — A Window of the Waking Mind & The Future Of The Band

They began their short set with "A Favor House Atlantic," then treated the audience to a few key Vaxis II tracks: "Liar's Club," "Shoulders" and "Our Love." In an indirect nod to Brett Morgen doc of the same name currently in the ether, the penultimate selection was a rendition of David Bowie's "Moonage Daydream."

What spurred that cover? Speaking to backstage, Sanchez expressed that "Moonage Daydream" has increasingly resonated with him, looking back on 20 years leading a rock band. He cited its opening lines: "I'm an alligator/ I'm a mama-papa coming for you/ I'm a space invader/ I'll be a rock 'n' rollin' b— for you."

"It felt very real again… It was more of a connection," Sanchez said. "I thought, 'You know what? This is appropriate for this event.'"


*Claudio Sanchez of Coheed and Cambria. Photo courtesy of the Recording Academy™️/photo by Rob Kim, Getty Images© 2022.*

"Moonage Daydream" isn't just in Coheed and Cambria's wheelhouse because it's right in Sanchez's register; it comports with their mission as a band. Bowie was — and remains — something of a pied piper for oddballs and outcasts; Coheed also communicates that it's OK to have your head in the clouds, to dream of something grander than one's day-to-day.

"Are you in/ Or are you out?" Sanchez sang during "A Favor House Atlantic" — almost drowned out by those who have lived with, and experienced pain to, and felt jubilation and release because of this very special rock band. 

The tangled web that Coheed and Cambria weave may seem intimidating, but as people, they're as far as can be from cagey or condescending. Rather, they're bracingly normal — as this GRAMMY Museum-helmed appearance made abundantly clear.

After performing these songs steeped in cosmic, fantastical scenarios, Eppard sat perched backstage, white-knuckling it through the Mets game. There's nothing keeping you out. You can be in.

Gavin DeGraw Continues The GRAMMY Museum's "A New York Evening With…" Series With Heart, Songcraft & Tongue Firmly In Cheek

Inside The Recording Academy's GRAMMY GO



How The Recording Academy's GRAMMY GO Is Building A Global Online Learning Community & Elevating The Creative Class

Learn more about the vision and future of GRAMMY GO, the Recording Academy's first-ever creator-to-creator platform and online learning experience, in this exclusive interview with the visionaries behind the initiative.

Recording Academy/Apr 17, 2024 - 11:42 pm

Since its inception, the Recording Academy has remained committed to inspiring and supporting the next generation of music creators and professionals via ongoing music education initiatives. Now, we're taking that commitment to the next level. 

Today, the Recording Academy proudly launched GRAMMY GO, a new online initiative offering innovative, industry-focused courses tailored for music creators and industry professionals from all backgrounds and experience levels. Launched in partnership with leading online learning platform Coursera, GRAMMY GO is the Academy's first-ever creator-to-creator platform that offers practical courses focusing on real-time industry developments and taught by leading music professionals and creators. 

Geared toward emerging and established members of the industry alike, GRAMMY GO taps into the Recording Academy's esteemed membership base and distinguished creator network to offer users a singular online learning experience informed by current-day industry dynamics. This unique approach sets GRAMMY GO apart from other online learning platforms.

"As an organization that comprises more than 20,000 of the world's most creative music professionals, we feel there is a massive source of knowledge that we believe is part of our mission, as an Academy, to help disseminate," Recording Academy President Panos A. Panay said in an exclusive interview. "We also view it as part of our purpose to use the Academy to help elevate other creatives and help them develop the skills they need to succeed in an ever-evolving industry. We bring a different orientation and a mission-driven purpose to what we're doing with GRAMMY GO."

"We're responding to what the needs are in the moment and across the industry," Jonathan Mahoney, Vice President of Online Learning for Grammy Global Ventures, adds. "We aim to explore the industry's needs, and then we'll build our offerings to answer those needs in real-time. That's one of the key differentiators fueling GRAMMY GO."

GRAMMY GO also accelerates the Recording Academy's ongoing global mission, while also reinforcing its commitment to music education — two core pillars that define the future of the Academy.

GRAMMY GO launches with "Building Your Audience for Music Professionals," a wide-spanning industry course taught by international music/marketing executive Joey Harris and featuring firsthand knowledge from past GRAMMY winners Jimmy Jam and Victoria Monét and 10-time GRAMMY nominee Janelle Monáe. The second GRAMMY GO course, "Music Production: Crafting An Award-Worthy Song," launching later this summer, will focus on sharpening technological and audio skills for music producers of all levels. Taught by Howard University professor and GRAMMY nominee Carolyn Malachi, the upcoming specialization will include appearances by GRAMMY winner CIRKUT, three-time GRAMMY winner Hit-Boy, artist and celebrity vocal coach Stevie Mackey, five-time GRAMMY nominee and Recording Academy CEO Harvey Mason jr., and 15-time GRAMMY winner Judith Sherman. Enrollment and pre-enrollment for both courses are now open.

In an exclusive interview below, Panay and Mahoney discuss the benefits and vision behind GRAMMY GO and the Recording Academy's year-round mission to bring music education and industry knowledge to creators and professionals around the world.

Learn more about GRAMMY GO and enroll now to the "Building Your Audience for Music Professionals" and "Music Production: Crafting An Award-Worthy Song" courses.

Music education is at the core of the Recording Academy's year-round mission. How does GRAMMY GO expand on this core mission?

Panos A. Panay: Learning and community are key components of the Academy. The organization has been dedicated to learning and building communities around learning and creating since its inception. GRAMMY GO is a piece in a puzzle that helps complete the picture. It creates a seamless arc between the offerings and initiatives across the Academy as a whole: from the GRAMMY Museum at the K-12 audiences through GRAMMY U's efforts with emerging professionals and creatives and all the way through the work we do with Advocacy, MusiCares, DEI, the Latin Recording Academy, Membership, and the annual GRAMMY Awards.

GRAMMY GO is now the connective tissue that can create a bridge between all these initiatives across our wider organization. We aim to use it as a platform to both complete the loop and help close any gaps that may have existed. GRAMMY GO is meant to work harmoniously with everything across the Academy so that it collectively makes the organization even more impactful. 

Music creators and professionals already have several online education options available to them. What will set GRAMMY GO apart from these other platforms?

Panay: As an organization that comprises more than 20,000 of the world's most creative music professionals, we feel there is a massive source of knowledge that we believe is part of our mission, as an Academy, to help disseminate. We also view it as part of our purpose to use the Academy to help elevate other creatives and help them develop the skills they need to succeed in an ever-evolving industry.

We are entering the online music education space because we believe that there is often a gap between the more academic-oriented educational platforms that exist and the more practical-oriented knowledge for professionals to develop their careers or, even more importantly, to expand their careers in the industry. Our offerings, as a part of our partnership with Coursera, are geared toward both aspirants as well as professionals who are looking to take the next step in their careers.

The specializations are designed as learning platforms, to be taught by practitioners who are thriving in the music industry on a daily level today. What we're doing is driven by our purpose and the role that we want to be playing in both the industry and society at large as the Recording Academy.

GRAMMY GO on Coursera includes courses taught by Recording Academy members and featuring past GRAMMY winners and nominees. What does this access to the Recording Academy membership and network add to the GRAMMY GO experience?

Jonathan Mahoney: This is the Recording Academy's first creator-to-creator platform. The instructors are people who are thriving in their careers; they're doing it every day. We've got Carolyn Malachi, who's a Howard tenure track professor, but she's also an active producer who's constantly in the studio working. Joey Harris knows intimately how to succeed in the industry. He's taking his real-time knowledge and applying it to the lessons he's passing along. I see GRAMMY GO as a mentorship for and by the music community.

Panay: The Recording Academy is an organization developed by, ran by, and dedicated to the well-being of creatives. Beyond our celebration, advocacy, support, and inspiration for creatives, it's also our job to help give them the toolkits that they need to continue to succeed today. So we're taking that peer-to-peer model and applying it to the creator-to-creator model. 

Tell me more about the GRAMMY GO partnership with Coursera

Panay: Coursera is a leader in the online education space. By joining forces, we're bringing what the Academy does to a broader, global audience. Of all the partners out there, we felt Coursera best reflected our values and our approach and was the best partner for us to activate the mission of the Academy on a global level.

Imagine I'm an emerging artist or industry professional; let's say I'm a GRAMMY U member in college. Now imagine I'm an established member of the industry who's entering the 10th year of my professional career. Is GRAMMY GO for me?

Panay: Yes. I've been in the music business for 30-plus years, and I can tell you: The learning does not stop. When I completed the first GRAMMY GO specialization, there's impactful stuff that I learned. It's easy to put your head down as a professional, and you're working all day, every day. But lift your head up periodically, take stock and ask yourself, "How do I sharpen my skills? How do I invest in my skills so that I can continue to evolve at the highest possible level?" In that sense, we feel absolutely sure what we're developing is applicable to everyone.

Mahoney: We built this content with everyone in mind, including our Recording Academy membership, when we decided to make this our launch offering. We thought deeply about what would be appealing to our members. These initial offerings may work for our members, but at the same time, anyone can benefit from them.

Panay: If you've been a practitioner or a professional in some field, there is always a benefit to having somebody help you think about what you're doing instinctively in a very different way. Especially for creatives, things are so natural to them that they don't always stop to think about their own process. And sometimes you need somebody to help you unlock those different or unexplored perspectives. That's what GRAMMY GO offers.

Everybody can gain from more improvement; nobody is immune to growth. You could be Michael Jordan, but you still have a coach Phil Jackson on the sidelines to help you improve. If you're competitive, then every 1% improvement matters because that's your edge.

GRAMMY GO is like your coach in your pocket.

Panay: I like that.

Talk to us about some of the GRAMMY GO specializations being offered through Coursera. What are some of the future specializations going to focus on? And how are you selecting these forthcoming courses?

Mahoney: We're building content in an agile way so that we're responding to what the needs are in the moment and across the industry. We're taking a hard look at what we're going to build, but also how we're going to build it. We really want to be agile and quick and create valuable content that is also timely. We aim to explore the industry's needs, and then we'll build our offerings to answer those needs in real-time. That's one of the key differentiators fueling GRAMMY GO.

Panay: What distinguishes GRAMMY GO from a traditional academic institution is that we're nimble and we're able to adjust and adapt based on the various market dynamics that we, as the Recording Academy, have a front-row seat at witnessing. That's our approach: How do we use our immersion into the industry as a great gauge for the skill gaps that may exist? And how do we quickly move to fill that gap by tapping into our Academy membership?

Right now, there is complete equality around talent distribution yet complete asymmetry around the skills that are needed to help that talent reach its highest possible level. Our mission as an organization focuses on embracing and elevating all creators, irrespective of who they are, what language they speak, what passport they carry, or what music they perform.

What are some of the most valuable lessons or takeaways that users will learn from GRAMMY GO?

Mahoney: The "Building Your Audience" course is about finding your authentic self, building your brand identity around that authentic self, and figuring out who are your comparable inspirations and taking their lessons and teachings to use in your practice. 

With the "Music Production" offering, the lessons will vary for each user. If you're a beginner or completely new to music production, you're going to come away with the knowledge to be able to cut your first track. The whole goal of the "Music Production" offering is that you start out with nothing and you end up with a demo track that you can release or socialize. Now, if you are coming in as an intermediate and you've done something in the past, you'll focus on refining your craft, making it better, and enhancing it to the next level.

Panay: No matter who you are, no matter where you are — both in your journey or even your geographic location — you will get access to practical skills and impactful knowledge; there is something there that's worth investing your time and energy on. Learn as much as you want, learn on your own time, learn for however long you have, whether it's five minutes or five hours or five days. These offerings will take you from wherever you are in your journey to the next level.

Stay Connected To The Recording Academy With The My Academy Hub App: Access Key Deadlines, View Membership Information, Browse Official Academy Events & More

Adam Roth, Executive Vice President of Global Partnerships & Business Development for the Recording Academy, attending the GRAMMY Awards
Adam Roth, Executive Vice President of Global Partnerships & Business Development for the Recording Academy, attending the GRAMMY Awards

Photo: Courtesy of Adam Roth


Recording Academy Appoints Adam Roth As Executive Vice President Of Global Partnerships & Business Development

Roth will focus on expanding the Recording Academy's global presence through integrated partnerships, new IP development, and strategic business development, using his expertise in driving growth and innovation.

Recording Academy/Apr 9, 2024 - 01:00 pm

The Recording Academy has appointed Adam Roth as Executive Vice President of Global Partnerships & Business Development, effective immediately. In this role, Roth will be responsible for growing the Recording Academy's global footprint internationally through the development and negotiation of high-impact integrated partnership programs with both globally recognized brands and local, on-the-ground sponsors. Additionally, Roth will create new IP and build business around existing IP as a method for creating new global revenue opportunities for the Academy. Roth will also develop results-driven programs for the Recording Academy's GRAMMY Awards season sponsors and create the strategic planning and sales strategy for developing new business and revenue opportunities.

"We are thrilled to have Adam as our EVP of Global Partnerships & Business Development," said Harvey Mason jr., CEO of the Recording Academy. "Throughout his tenure, Adam's unwavering dedication and foresight have consistently delivered remarkable results for our organization. As the Academy continues its work serving music and its creators around the world, I am confident that Adam's new roles will continue to steer our business development to allow our work to expand in exciting, new ways."

Roth previously served as Senior Vice President of Partnerships & Business Development for the Recording Academy, using his deep network of industry relationships across the arts, fashion, music, entertainment, and technology industries to create 360 deals to drive new business across all entities of the Recording Academy, including MusiCares, GRAMMY Museum, and The Latin Recording Academy.

Prior to joining the organization in 2019, Roth served as vice president of strategic partnerships for the not-for-profit, membership-based trade organization Council of Fashion Designers of America (CFDA). In this role, he was responsible for bringing the CFDA and the fashion industry at-large into high-profile arenas to promote both the organization and its membership to new audiences. His accomplishments while at CFDA include creating the first-ever MTV-CFDA Fashion Vanguard Award for the MTV VMAs and implementing key marketing initiatives with the NFL for Super Bowl 50 and Google. He also spent seven years at Condé Nast, where he was in charge of developing custom programs for luxury advertising partners across their men's, women's, travel, and home brands.

Roth was named Condé Nast Marketer of the Year in 2008 of the Quarter in 2011. He also spent three years as a founding member of the New York LGBT Center's Business Mentorship program for youth ages 13-22. He holds an associate's degree from Montgomery College in Rockville, Maryland.

Inside Green Day's Intimate "Right Here, Right Now" Global Climate Concert In San Francisco

Graphic featuring the Recording Academy's My Academy Hub app next to a GRAMMY Award trophy on top of a blue and turquoise background
Download the My Academy Hub app now

Graphic Courtesy of the Recording Academy


Stay Connected To The Recording Academy With The My Academy Hub App: Access Key Deadlines, View Membership Information, Browse Official Academy Events & More

My Academy Hub is the official app for members of the Recording Academy and Latin Recording Academy. This app allows you to easily access your membership information, key GRAMMY deadlines, and many other essential resources.

Recording Academy/Apr 5, 2024 - 12:19 am

The Recording Academy is thrilled to announce the launch of the My Academy Hub mobile app, the official app for members of the Recording Academy and the Latin Recording Academy. Enabling easy access to all your membership information and key resources, the My Academy Hub app is the ultimate tool for managing your Academy membership from anywhere, anytime — right at your fingertips. Plus, the app is the best way to stay connected to your Academy community. 

Download the My Academy Hub app in the App Store and Google Play.

Benefits of the My Academy Hub app include:

  • Receive Timely Notices: Stay up-to-date on important alerts and news from the Recording Academy and Latin Recording Academy.

  • Access Key Deadlines: Never miss a deadline for GRAMMYs submissions, GRAMMY voting, or other important events.

  • View Your Membership Details: View your membership status, type, expiration date, and more.

  • Browse Your Benefits: Access exclusive discounts, member perks, and more member benefits right from the app.

  • Events: Browse and register for upcoming Recording Academy and Latin Recording Academy official events.

Your in-app journey will be tailored to reflect your affiliation with either the Recording Academy or the Latin Recording Academy. In the case of dual membership, the default view will be the Recording Academy dashboard, with the flexibility to seamlessly switch to the Latin Recording Academy dashboard as needed. The Latin Recording Academy experience supports English, Spanish and Portuguese.

The My Academy Hub app also brings the Recording Academy dashboard right to your fingertips and triggers push notifications announcing the latest Recording Academy news and updates, including key deadlines and updates to the GRAMMY Awards process. You can also update your Academy member information seamlessly and keep your privacy safe via a biometric login.

Plus, keep an eye out for product function updates. 

Download the My Academy Hub app at the App Store and Google Play today to stay connected to your community at the Recording Academy and Latin Recording Academy.

2024 GRAMMYs: See The Full Winners & Nominees List

Flyer for the Mini Global Climate Concert featuring Green Day, co-hosted by United Nations Human Rights and the Recording Academy
Green Day will headline the Mini Global Climate Concert Tuesday, April 2, at The Fillmore in San Francisco, California, co-hosted by United Nations Human Rights and the Recording Academy

Photo: Alice Baxley


Green Day To Headline "Right Here, Right Now Mini Global Climate Concert" In San Francisco On April 2, Presented By United Nations Human Rights & The Recording Academy

Green Day have been selected as the headliner and international honorees of the ecologically driven concert, which aims to combat the human rights crisis resulting from climate change.

Recording Academy/Mar 28, 2024 - 08:59 pm

As four-time GRAMMY winners and 17-time GRAMMY nominees, Green Day have an uncommonly visible platform in the music industry. And we're seeing them use it for critical, world-repairing ends.

Right Here, Right Now Global Climate Alliance (Right Here, Right Now) is proud to announce Green Day as the headliners and international honorees of the United Nations Human Rights-supported Mini Global Climate Concert. Taking place Tuesday, April 2, at the Fillmore in San Francisco, California, the event aims to combat the human rights crisis resulting from climate change. Co-hosted by United Nations Human Rights and the Recording Academy, the event will also recognize Green Day for their longstanding commitment to social justice and environmental causes.

Tickets for the intimate benefit concert will go on sale Friday, March 29, at noon PT/3 p.m. ET through Ticketmaster. Proceeds from Right Here, Right Now Mini Global Climate Concerts will go to United Nations Human Rights climate justice initiatives and a dedicated Right Here, Right Now climate fund at MusiCares to help musicians affected by climate change. MusiCares is the leading music charity providing music professionals health and human services across a spectrum of needs.

The Right Here, Right Now Mini Global Climate Concert Series is bringing together some of the most popular stadium acts to perform at intimate concert venues around the globe, while shining a light on the human rights-based approaches and solutions to climate change and the suffering it causes. The Green Day concert is the second installment of the Right Here, Right Now Mini Global Climate Concert Series, which kicked off last April with an intimate concert headlined by Wesley Schultz, lead singer and co-founder of the two-time GRAMMY-nominated band the Lumineers, and six-time GRAMMY-nominated artist Yola as a special guest. The Mini Global Climate Concert Series is part of the Right Here, Right Now Music initiative, a collaboration between the Recording Academy and the Right Here, Right Now Global Climate Alliance (Right Here, Right Now), which launched last April and aims to combat the human rights crisis resulting from climate change.

Read More: How The Recording Academy And United Nations Human Rights Are Tackling Climate Change: 5 Takeaways From The Right Here, Right Now Mini Global Climate Concert Series

"We are pleased to recognize Green Day and excited for the incredible band to help us launch the international Right Here, Right Now Mini Global Climate Concert Series," states Volker Türk, the United Nations High Commissioner for Human Rights. "As world-renowned artists and activists, Green Day continues to leverage its major influence and platform to bring awareness to the impact of climate change on the people and the environment. The United Nations was founded in San Francisco almost 80 years ago to safeguard human rights and dignity from crisis and tragedy. It is only fitting that we are back in San Francisco promoting human rights-based approaches and solutions to the climate crisis as co-hosts along with the Recording Academy."

David Clark, founder and CEO of Right Here, Right Now Global Climate Alliance, said, "It's a privilege and honor to have Green Day headline the Right Here, Right Now Mini Global Climate Concert in San Francisco. We selected the band, as Billie Joe Armstrong, Mike Dirnt, and Tré Cool have been at the forefront promoting social justice initiatives for decades. When iconic artists like Green Day leverage their global platform to promote climate justice, the world takes notice. In their new song ‘Saviors,’ they mention they're 'the last of the rockers making a commotion,' which we're all grateful for. I believe when you stand for something – you stand out, and they certainly do!"

"Music is one of humanity's greatest resources. It moves the world," Recording Academy CEO Harvey Mason jr. said. "Our organization exists to harness music's power to make a better world. We are proud to be co-hosting the Right Here, Right Now Mini Global Climate Concert with the United Nations Human Rights team and we are grateful for Green Day's longstanding dedication to promoting social justice."

Formed in 1986 in Berkeley, California, Green Day is one of the most popular and best-selling bands of all time with more than 75 million records sold worldwide and 10 billion cumulative audio/visual streams.

On January 19, 2024, Green Day released their highly anticipated 14th studio album, Saviors, which debuted at No.1 on seven different Billboard charts and marked their fifth No.1 in the UK. On May 30, Green Day will kick off their massive global stadium tour – The Saviors Tour — where they'll play Dookie and American Idiot in their entirety, along with other Saviors cuts and fan favorites. The tour will conclude on September 28 at Petco Park in San Diego. 

Read More: Green Day's Saviors: How Their New Album Links Dookie & American Idiot Decades Later

Since launching in 2021 at the UN Climate Change Conference in Glasgow (COP26), the Right Here, Right Now Global Climate Alliance has emerged as a leading multi-stakeholder partnership for climate justice, bringing together human rights experts, scientists, corporate leaders, NGOs, academics, advocates, and people around the globe in the fight for rights-based climate action.

The Right Here, Right Now Global Climate Alliance driven by universities and youth has also garnered support from celebrities that include Leonardo DiCaprio, Quincy Jones, Celine Dion, Cher, Jeff Bridges, Camila Cabello, Ellen DeGeneres, Edward Norton, Annie Lennox, Cyndi Lauper, Pitbull, LL Cool J, Joss Stone, Kesha, and Jack Black, to name just a few. In 2025, Right Here, Right Now Global Climate Summit will be hosted by the University of Oxford, the Global Academic Partner of Right Here, Right Now.

Learn more about Right Here, Right Now Global Climate Alliance.

An "Evening With" Gossip's Beth Ditto Turns Hilarious & Rockin' With 'Real Power' Tracks