The 2024 GRAMMYs on the Hill Awards is sponsored by City National Bank and benefits the GRAMMY Museum.

The Recording Academy is taking the beat to Capitol Hill next week for GRAMMYs on the Hill 2024, where GRAMMY winners and nominees and music professionals will visit lawmakers to advocate for legislation advancing music creators' rights. 

The Recording Academy's annual GRAMMYs on the Hill is the signature music event in Washington, D.C., where music creators and congressional members come together to celebrate our progress in the music space, shed light on the issues the music community is currently facing, and advocate for real change. GRAMMYs on the Hill 2024 comprises three marquee events: the annual GRAMMYs on the Hill Awards on Tuesday, April 30, which this year honors nine-time GRAMMY winner Sheryl Crow and Sens. John Cornyn (R-TX) and Amy Klobuchar (D-MN); the annual GRAMMYs on the Hill Advocacy Day on Wednesday, May 1, Capitol Hill's largest and most prestigious legislative event for music; and the inaugural GRAMMYs on the Hill Future Forum on Friday, May 3, which will explore the impact of artificial intelligence (AI) on the music community.

This year, the Recording Academy is focused on two critical issues affecting the music industry and fans everywhere: AI fraud and live event ticketing reform. Several key pieces of legislation are being furthered toward these efforts, including the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft, to protect the image and likeness of artists everywhere. The Fans First Act and the TICKET Act represent the most comprehensive set of reforms to strengthen the live event ticketing marketplace and protect fans, artists, and independent small businesses.

"The Recording Academy is in the business of celebrating human excellence and human creativity," Recording Academy CEO Harvey Mason jr. said. "That was the biggest concern when we crafted our GRAMMY Award policies. We understand that AI is a part of our industry and here to stay, but our awards guidelines stay true to our mission to honor the people behind the music we love so much. Only human creators are eligible to be submitted for consideration for, nominated for, or win a GRAMMY Award."

Today and forever, it is essential that we protect the people in music. Because music makes us human. As a nonprofit organization that supports advocacy across the music industry, the Recording Academy champions rights for all music creators — not just our Academy members. Being a music advocate means championing music creators' rights year-round, and Recording Academy members have the power to enact true change in music. 

In the guide below, learn more about the important actions and issues driving GRAMMYs on the Hill 2024, which are aimed at protecting the livelihoods of present and future generations of music creators. And learn more about the Recording Academy's efforts to safeguard human creativity and help creators navigate the use of AI across the music industry today.

Learn More: GRAMMYs On The Hill Awards 2024: Everything You Need To Know Including Mission, Goals, Honorees & Achievements

No AI FRAUD Act & No FAKES Act

Across our landscape, technology like generative AI and bot automation threaten to rob our society of human-made music, the timeless, essential craft of expression that transcends cultures and has defined what it means to be human across eons. 

The Recording Academy is leading the national conversation about AI in music, using GRAMMY Week in Los Angeles as a platform for a congressional hearing to explore how AI digital replicas threaten individual artists. 

GRAMMYs on the Hill Advocacy Day will further these efforts, with a focus on the bipartisan No AI FRAUD Act, the first federal solution with protections for all Americans who could be vulnerable to fraudulent replicas. The bill was introduced earlier this year in the House of Representatives by Reps. Maria Elvira Salazar (R-FL) and Madeline Dean (D-PA). In the Senate, the Recording Academy is also pushing for support of Senator Chris Coons's (D-DE) bipartisan effort to introduce a draft of the No FAKES Act with the strongest possible protections for individuals. 

Read more: How The House's No AI FRAUD Act And Tenn.'s ELVIS Act Will Protect Human Creativity

"AI increasingly affects every single one of us," said GRAMMY-winning singer/songwriter Lainey Wilson during her testimony in front of the House Judiciary Committee during its GRAMMY weekend hearing. "We need artists to keep telling stories and connecting with fans and bringing people together authentically. We need to keep humanity in art — we cannot lose that. The No AI FRAUD Act is a great place to start."

Although AI technology holds promise, its rampant expansion without reasonable controls has resulted in real wage theft of working-class musicians and artists. We're rapidly headed toward a world of machine-made music and, worse, the disenfranchisement of millions of human music creators, the repercussions of which would be nothing short of catastrophic. The No AI FRAUD Act and its Senate counterpart establish that everyone's image, likeness and voice are federally protected and that they have the ability to enforce this right against misuse.

 "The bill [No AI FRAUD Act] establishes in federal law that an individual has a personal property right in the use of their image and voice. That's just common sense, and it is long overdue," said Recording Academy CEO Harvey Mason jr. "The bill also empowers individuals to enforce this right against those who facilitate, create, and spread AI frauds without their permission." 

The risks of AI are also being addressed at the state level with new laws setting a precedent for national policy. The ELVIS Act (Ensuring Likeness, Voice, and Image Security,) signed into law in Tennessee on March 21, marked a historic milestone as the first legislation in the nation focused on safeguarding the core elements of artistic identity, including voice and likeness, in the context of AI. The Academy is also working closely with lawmakers in Illinois to update the state’s laws to better protect individuals from digital replicas. 

Protecting the image, likeness and voice of individual creators from AI fakes through legislative measures such as the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft are integral components to the Recording Academy's year-round mission. 

Live Event Ticketing Reform: Fans First Act & the TICKET Act

The human connection that forms between artists and fans through live music is at the heart of what makes music special. Today, that special connection between artists and fans is threatened by predatory online ticket resellers employing bot automation.

This year's Advocate Day will focus on reforming the live event ticket marketplace to better protect artists and fans through legislation including the Senate’s Fans First Act and a similar House bill, the TICKET Act. The Fans First Act is an active effort of this year's GRAMMY on the Hill political honorees, John Cornyn (R-TX) and Amy Klobuchar (D-MN.), who introduced the bill in 2023.

"We urge Congress to act on [the TICKET Act] quickly and continue its effort to protect both artists and fans by increasing transparency and limiting bad actors that take away from the joyous experience of live music," said Recording Academy CEO Harvey Mason jr.

Read more: Ticketing Reforms Make A Big Leap In Maryland: Here's What You Need To Know

Deceptive trade practices in live event ticketing hurt consumers, performers, and small businesses across the country. Artists want to protect their fans from bulk resellers, bots, and predatory practices, while stakeholders in the secondary market want to restrict the ability of artists to tour and sell tickets the way that they want.

The Fans First Act and the TICKET Act will introduce comprehensive reforms that safeguard consumers from fake tickets, price gouging, and other deceptive practices, provide transparency in ticket pricing, and restore integrity to the ticketing marketplace.

"While fans suffer because of this broken system, so do artists" declares a collective statement of support from the Fix the Tix Coalition, which includes the Recording Academy as a founding member. "Predatory resellers view tickets as nothing more than commodities to be traded for outrageous sums, throwing away the cultural and communal value they provide for our society. They exist to undermine the hard work, talent, and livelihoods of artists, inserting themselves as unnecessary and unwanted middlemen who make their money off the backs of the artists and venues who partner to make these events happen."

The Recording Academy is advocating for congress to listen to the artists on the stage and pass meaningful, bipartisan ticketing reforms that protect consumers, elevate creative economic development, and restore trust in the ticketing experience for fans and artists. In fact just this past week, more than 300 artists, including dozens of GRAMMY winners and Recording Academy members, sent a letter to Congress in support of passing the Fans First Act. 

The Recording Academy invites members to engage in one of our actions here with the hope of creating positive change in the music industry. For non-members, your support means the world. Please use your voice to advocate for the rights of creators' and fans on these key issues so we can all enjoy the music we love so much. 

House & Senate Take Critical Steps Toward Ticketing Reform: Learn How

On Tuesday, May 7, members of the Recording Academy’s New York chapter took to the state capitol in Albany. Their mission? To advocate for the passage of A.127, a crucial piece of legislation designed to safeguard the creative works of artists across New York.

At the heart of A.127 is the protection of artistic freedom during legal proceedings. The bill, which has already passed in the Senate, seeks to create standards for when an artist's creative work may be used in criminal trials. If enacted into law, this measure would be a significant step towards ensuring that creators can express themselves freely without fear of their work being weaponized against them.

During the Albany Advocacy Day, Recording Academy advocates held meetings with the Assembly Speaker, Carl Heastie, Codes Chairman, Jeffrey Dinowitz, Assembly sponsor, Catalina Cruz, along with key members of the Assembly Codes Committee including, Gary Pretlow, Andrew Hevesi, Linda B. Rosenthal, John Zaccaro, Jr., Kenneth Zebrowski. In addition to these meetings, Recording Academy members met with Lieutenant Governor Antonio Delgado, the powerful Assembly Black, Hispanic, and Puerto Rican Caucus, and the Assembly Codes Staff. Many key Senators stopped by meetings to reiterate their support for the legislation, including Senate sponsor and Codes Chair, Jamaal Bailey.

Advocates included New York Chapter President Torae Carr, iconic rap artist and producer Papoose, producer and composer Ray Angry, and CEO of 300 Entertainment Kevin Liles. Additionally, Granville Mullins, GRAMMY Nominated Songwriter/Musician, Nathaniel Reichman, GRAMMY Nominated Producer/Mixer, Cassandra Kubinski, Singer/Songwriter, William Derella, Artist Manager and Lynn Gonzalez, Partner, Granderson Des Rochers, LLP were in attendance.

While leaving Albany, Papoose shared an impassioned plea to his followers on Instagram to support the effort.

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A post shared by Papoose (@papoose)

Just one week later, on May 14, the Assembly Codes Committee advanced the bill out of committee to the Rules Committee, Chaired by the Speaker, priming it for full consideration by the Assembly in the coming weeks.

One of the key issues Academy advocates highlighted in their meetings regarding A.127 is the disproportionate impact that the current practices have on certain communities, particularly Black and Brown artists, who often find their work unfairly scrutinized and misinterpreted in legal settings. While the legislation is not genre-specific, it acknowledges the historical targeting of hip hop and rap artists and seeks to rectify this by requiring prosecutors to show the relevance and admissibility of creative works in court.

The significance of A.127 cannot be overstated, particularly in a state as culturally rich and economically influential as New York. The music industry is a large part of the state's economy, providing over 200,000 jobs and contributing close to $20 billion to its GDP. With a vibrant community of 129,000 songwriters, New York needs to enact this critical legislation that will protect the state's music community.

The Recording Academy’s continued advocacy for A.127 only further highlights the Academy’s dedication to protecting the rights of music creators and upholding the fundamental principles of free expression. As the bill moves forward, it is essential for lawmakers to recognize the importance of protecting creative freedom and ensure that New York remains a beacon of artistic expression.

Inside The Inaugural GRAMMYs On The Hill Future Forum, Exploring The Impact Of AI On The Music Community

On Friday, May 3, an innovative event unfolded in the heart of Washington, D.C., as the Recording Academy in collaboration with the Human Artistry CampAIgn orchestrated the inaugural GRAMMYs on the Hill Future Forum. Designed to provide a space to explore the most pressing issues facing music, this momentous occasion served as a pivotal platform to delve into the impact of artificial intelligence (AI) on the music community.

The afternoon commenced with a series of captivating panel discussions, each curated to explore both the promise and the peril that AI presents to music makers. Moderated by Todd Dupler, the Chief Advocacy & Public Policy Officer at the Recording Academy, the first panel featured esteemed industry figures including Dani Deahl, a distinguished DJ, producer, Governor for the Recording Academy's Chicago Chapter, and Head of Communications and Creator Insights for BandLab, alongside Kokayi, a GRAMMY-nominated artist renowned for his prowess as a producer, emcee, vocalist, and thought leader.

Insights flowed as panelists dissected the relationship between AI and human creativity, shedding light on the transformative potential of AI-driven tools in music production, composition, and distribution. Dani Deahl demonstrated live how she ethically uses AI as a tool to enhance her music, including stem separation, voice or tone replacement, and song generation. One demonstration used tone-altering AI to record Kokayi and make him sound like a female pop artist.

Deahl explained how this AI technology represented an ethical, pro-artist approach to AI because the artist whose voice was used entered into a licensing agreement with the platform, the voice recording was pulled from works specifically created for the platform, and the artist is compensated every time her tone is used — including during the demonstration. The panel went on to discuss how artists embraced new technology in the past and how present technology changes the way we create music.

Following this illuminating discussion, the stage was set for the second panel, moderated by Michael Lewan, the Managing Director of Advocacy & Public Policy at the Academy. Dr. Moiya McTier, a Senior Advisor at the Human Artistry Campaign, joined with Juan Winans, a three-time GRAMMY nominated artist and songwriter, and Michael Hendrix, the Policy Director for Gov. Bill Lee of Tennessee. Diving deeper into the threats that AI poses to artists and creators, the panelists discussed policymaking when it comes to AI—including the ELVIS Act, which recently became law in Tennessee and is the first law of its kind to protect individuals from AI models misusing their name, image, and likeness.

The Future Forum is one of many ways the Recording Academy has been engaged in the conversations surrounding AI. Last year, the Recording Academy also teamed up with members of the music community for the Human Artistry CampAIgn which launched in March of 2023. This Campaign is a coalition focused on protecting human art and creativity as artificial intelligence continues to develop. In addition to joining this coalition, the Recording Academy has played a significant role in safeguarding human creativity and helping creators navigate artificial intelligence.

Days prior during the GRAMMYs on the Hill Advocacy Day, the Recording Academy brought together 60+ GRAMMY winners and nominees along with Academy executives to advocate for legislation such as No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft, which protects artists image and likeness.

As the Future Forum panels ended, the convivial atmosphere transitioned seamlessly into a vibrant reception, where Recording Academy members from the DMV, Philadelphia, and New York convened. Against the backdrop of stimulating conversations and shared insights, attendees exchanged ideas, forged connections, and celebrated the perfect ending to an eventful GRAMMYs on the Hill week.

The Recording Academy will continue to advocate and hold discussions surrounding fostering human connection and artistic excellence in the age of AI and the GRAMMYs on the Hill Future Forum served as a testament to this commitment. As music's biggest week in Washington, D.C. reached its crescendo, the inaugural Future Forum reinstated the importance of a future where AI augments — rather than deters — human creativity.

Here's What Went Down At Advocacy Day 2024: The Fight For AI Safeguards And Ticketing Reform Hit Capitol Hill

"We have a short window of time this morning, where we're going to download a lot of information into your brain." So told Todd Dupler, the Recording Academy's Chief Advocacy & Public Policy Officer, early in the morning of May Day, to a small, still-waking-up, but attentive crowd at the Hamilton Live in Washington, D.C.

After Michael Lewan — the Recording Academy's Managing Director of State and Federal Advocacy — laid down some logistical ground rules, the throng set forth into the pre-summer mugginess to advocate for two crucial policy needs.

The first is calling on Congress to protect the image, likeness and voice of individual creators from AI fakes through legislative measures such as the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft. 

The second is reforming the live event ticket marketplace to better protect artists and fans through legislation including the Fans First Act and a similar House bill, the TICKET Act.

After the morning briefing, groups with advocates went to the U.S. Capitol for dozens of meetings with bipartisan and bicameral legislators to seek their support for these important issues and bills. Throughout the morning, Academy members met with Senate Majority Leader Chuck Schumer (D-NY), House Majority Leader Steve Scalise (R-LA), House Minority Leader Hakeem Jeffries (D-NY), Senators Marsha Blackburn (R-TN), Shelley Moore Capito (R-WV) and Peter Welch (D-VT), along with multiple House Chairs and Ranking Members, and other influential leaders.

After these initial meetings, the GRAMMYs On The Hill 2024 advocates stopped by the historic Nancy Pelosi Cannon Caucus Room to park, dine on lunch, and meet with more key champions.

After introductory remarks from Lewan, the No AI Fraud Act's lead sponsor, Rep. María Elvira Salazar (R-FL) — who Lewan praised as "the brains behind it" — took the podium. "Your identity is in danger because of artificial intelligence," Salazar asserted.

And she drilled down into why — which involved portents far afield from music peoples' rights.

"Did you know that right now, someone with not very good intentions, can grab the image and voice and likeness of your daughter or so, and transfer that information to make pornography?" Salazar said. "Someone produces your voice and likeness and insults a boss, and you may be fired."

Rep. Madeleine Dean (D-PA), Salazar's lead co-sponsor of the No AI Fraud Act, echoed the congresswoman's sentiment. "It's not just about the use of your likeness," she said. "You have the right to ask permission to get compensated for it.

Following the lunch briefing, the 60 plus advocates headed back across the nation's capital to 1600 Pennsylvania Avenue for a special roundtable discussion with senior members of the Biden-Harris Administration. While at the White House, advocates were briefed on AI policy, ticket reforms, the National Endowment for the Arts, and the president's work on gun violence, before a special conversation with Press Secretary Karine Jean-Pierre. 

And with that, with another successful Advocacy Day in the bag, music advocates went home assured that they'd made a phenomenal difference in the music landscape.

To those who would abuse the ticketing system — meet the true music fans. And, to those who'd leverage artificial intelligence against real peoples' autonomies — meet human power.

The 2024 GRAMMYs On The Hill Awards were sponsored by City National Bank and benefited the GRAMMY Museum.

How The House's No AI FRAUD Act And Tenn.'s ELVIS Act Will Protect Human Creativity

The Recording Academy just took a musical ride through Capitol Hill — and lawmakers were listening.

At GRAMMYs On The Hill 2024, which just wrapped, GRAMMY winners and nominees and music professionals visited lawmakers to advocate for legislation advancing music creators' rights.

The Recording Academy's annual GRAMMYs on the Hill is the signature music event in Washington, D.C. Therein, music creators and congressional members convened to celebrate our progress in the music space, illuminate the issues the music community is currently facing, and advocate for concrete change.

GRAMMYs on the Hill 2024 comprised three marquee events: the annual GRAMMYs on the Hill Awards on Tuesday, April 30, which this year honored nine-time GRAMMY winner Sheryl Crow and Sens. John Cornyn (R-TX) and Amy Klobuchar (D-MN); the annual GRAMMYs on the Hill Advocacy Day on Wednesday, May 1, Capitol Hill's largest and most prestigious legislative event for music; and the inaugural GRAMMYs on the Hill Future Forum on Friday, May 3, which explored the impact of artificial intelligence (AI) on the music community.

In 2024, the Recording Academy is focused on two critical issues affecting the music industry and fans the world over: AI fraud and live event ticketing reform. A number of key pieces of legislation are being furthered toward these efforts, including the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft — which aims to safeguard the image and likeness of artists everywhere.

The Fans First Act and the TICKET Act represent the most comprehensive set of reforms to strengthen the live event ticketing marketplace and continue to protect fans, artists, and independent small businesses.

With that in mind, here were some inspiring quotes from the biggest annual week in music advocacy!

"What I love about music, of course, is that it is a universal language that connects people to each other. It has no borders or boundaries, and it's an important way for us with our differences to find common ground. We need more of that here in Washington, D.C."
— Sen. John Cornyn (R-TX)

"Everything in life boils down to the human experience. We can't allow anything to get in the way of connecting with each other. We've seen what disconnect feels like, and I'm going to say we have not, as one race, the human race, we have not yet seen how truly powerful it can be when we stay connected."
—Michael Trotter Jr., The War and Treaty

"Music is powerful, not just when we listen to it passively, but also – and especially – when we participate in it. There's something innate within us that responds to music. Music forges connection and community in a unique way that nothing else can. Music is a gift that taps into and reveals something about our shared humanity and that collective communal experience is something that AI can never replicate or replace.
—Todd Dupler, Chief Advocacy & Public Policy Officer, Recording Academy

"Now that music is back — concerts are back big time — [we need to prioritize] the important job of working across the aisle to bring common sense rules to online ticketing, all in price disclosures, so people know what they're getting, a ban on these speculative tickets when people don't even have a ticket and they're pretending that they're selling ones, strengthening the protections against bots and ensuring all fans have access to reliable show and safety information no matter where they bought their tickets.
—Sen. Amy Klobuchar (D-MN)

"In this room, we know that music brings people together. It can be a powerful force and a source of common ground. That's why the mission of the Recording Academy is not only to celebrate the music we all love, but to lift up and protect the people behind the music too. Music is irreplaceable, which means the people behind the music are irreplaceable."
—Harvey Mason jr., CEO, The Recording Academy

"If you cannot understand that music is a physical thing that connects all of us, through the thing that is in all of us, which is spirit and soul. It is the energy that moves your body. It is the energy that keeps a tree alive. It is what some people will call God. For me, inspiration, God, energy, it is all the same thing because it exists everywhere on the planet, but it does not exist in a computer."
—Sheryl Crow

The 2024 GRAMMYs On The Hill Awards were sponsored by City National Bank and benefited the GRAMMY Museum.

Inside The 2024 GRAMMYs On The Hill Awards: Sens. Cornyn & Klobuchar, Sheryl Crow Honored For Their Fight For Music Creators