The 2024 GRAMMYs on the Hill Awards is sponsored by City National Bank and benefits the GRAMMY Museum.

The Recording Academy is taking the beat to Capitol Hill next week for GRAMMYs on the Hill 2024, where GRAMMY winners and nominees and music professionals will visit lawmakers to advocate for legislation advancing music creators' rights. 

The Recording Academy's annual GRAMMYs on the Hill is the signature music event in Washington, D.C., where music creators and congressional members come together to celebrate our progress in the music space, shed light on the issues the music community is currently facing, and advocate for real change. GRAMMYs on the Hill 2024 comprises three marquee events: the annual GRAMMYs on the Hill Awards on Tuesday, April 30, which this year honors nine-time GRAMMY winner Sheryl Crow and Sens. John Cornyn (R-TX) and Amy Klobuchar (D-MN); the annual GRAMMYs on the Hill Advocacy Day on Wednesday, May 1, Capitol Hill's largest and most prestigious legislative event for music; and the inaugural GRAMMYs on the Hill Future Forum on Friday, May 3, which will explore the impact of artificial intelligence (AI) on the music community.

This year, the Recording Academy is focused on two critical issues affecting the music industry and fans everywhere: AI fraud and live event ticketing reform. Several key pieces of legislation are being furthered toward these efforts, including the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft, to protect the image and likeness of artists everywhere. The Fans First Act and the TICKET Act represent the most comprehensive set of reforms to strengthen the live event ticketing marketplace and protect fans, artists, and independent small businesses.

"The Recording Academy is in the business of celebrating human excellence and human creativity," Recording Academy CEO Harvey Mason jr. said. "That was the biggest concern when we crafted our GRAMMY Award policies. We understand that AI is a part of our industry and here to stay, but our awards guidelines stay true to our mission to honor the people behind the music we love so much. Only human creators are eligible to be submitted for consideration for, nominated for, or win a GRAMMY Award."

Today and forever, it is essential that we protect the people in music. Because music makes us human. As a nonprofit organization that supports advocacy across the music industry, the Recording Academy champions rights for all music creators — not just our Academy members. Being a music advocate means championing music creators' rights year-round, and Recording Academy members have the power to enact true change in music. 

In the guide below, learn more about the important actions and issues driving GRAMMYs on the Hill 2024, which are aimed at protecting the livelihoods of present and future generations of music creators. And learn more about the Recording Academy's efforts to safeguard human creativity and help creators navigate the use of AI across the music industry today.

Learn More: GRAMMYs On The Hill Awards 2024: Everything You Need To Know Including Mission, Goals, Honorees & Achievements

No AI FRAUD Act & No FAKES Act

Across our landscape, technology like generative AI and bot automation threaten to rob our society of human-made music, the timeless, essential craft of expression that transcends cultures and has defined what it means to be human across eons. 

The Recording Academy is leading the national conversation about AI in music, using GRAMMY Week in Los Angeles as a platform for a congressional hearing to explore how AI digital replicas threaten individual artists. 

GRAMMYs on the Hill Advocacy Day will further these efforts, with a focus on the bipartisan No AI FRAUD Act, the first federal solution with protections for all Americans who could be vulnerable to fraudulent replicas. The bill was introduced earlier this year in the House of Representatives by Reps. Maria Elvira Salazar (R-FL) and Madeline Dean (D-PA). In the Senate, the Recording Academy is also pushing for support of Senator Chris Coons's (D-DE) bipartisan effort to introduce a draft of the No FAKES Act with the strongest possible protections for individuals. 

Read more: How The House's No AI FRAUD Act And Tenn.'s ELVIS Act Will Protect Human Creativity

"AI increasingly affects every single one of us," said GRAMMY-winning singer/songwriter Lainey Wilson during her testimony in front of the House Judiciary Committee during its GRAMMY weekend hearing. "We need artists to keep telling stories and connecting with fans and bringing people together authentically. We need to keep humanity in art — we cannot lose that. The No AI FRAUD Act is a great place to start."

Although AI technology holds promise, its rampant expansion without reasonable controls has resulted in real wage theft of working-class musicians and artists. We're rapidly headed toward a world of machine-made music and, worse, the disenfranchisement of millions of human music creators, the repercussions of which would be nothing short of catastrophic. The No AI FRAUD Act and its Senate counterpart establish that everyone's image, likeness and voice are federally protected and that they have the ability to enforce this right against misuse.

 "The bill [No AI FRAUD Act] establishes in federal law that an individual has a personal property right in the use of their image and voice. That's just common sense, and it is long overdue," said Recording Academy CEO Harvey Mason jr. "The bill also empowers individuals to enforce this right against those who facilitate, create, and spread AI frauds without their permission." 

The risks of AI are also being addressed at the state level with new laws setting a precedent for national policy. The ELVIS Act (Ensuring Likeness, Voice, and Image Security,) signed into law in Tennessee on March 21, marked a historic milestone as the first legislation in the nation focused on safeguarding the core elements of artistic identity, including voice and likeness, in the context of AI. The Academy is also working closely with lawmakers in Illinois to update the state’s laws to better protect individuals from digital replicas. 

Protecting the image, likeness and voice of individual creators from AI fakes through legislative measures such as the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft are integral components to the Recording Academy's year-round mission. 

Live Event Ticketing Reform: Fans First Act & the TICKET Act

The human connection that forms between artists and fans through live music is at the heart of what makes music special. Today, that special connection between artists and fans is threatened by predatory online ticket resellers employing bot automation.

This year's Advocate Day will focus on reforming the live event ticket marketplace to better protect artists and fans through legislation including the Senate’s Fans First Act and a similar House bill, the TICKET Act. The Fans First Act is an active effort of this year's GRAMMY on the Hill political honorees, John Cornyn (R-TX) and Amy Klobuchar (D-MN.), who introduced the bill in 2023.

"We urge Congress to act on [the TICKET Act] quickly and continue its effort to protect both artists and fans by increasing transparency and limiting bad actors that take away from the joyous experience of live music," said Recording Academy CEO Harvey Mason jr.

Read more: Ticketing Reforms Make A Big Leap In Maryland: Here's What You Need To Know

Deceptive trade practices in live event ticketing hurt consumers, performers, and small businesses across the country. Artists want to protect their fans from bulk resellers, bots, and predatory practices, while stakeholders in the secondary market want to restrict the ability of artists to tour and sell tickets the way that they want.

The Fans First Act and the TICKET Act will introduce comprehensive reforms that safeguard consumers from fake tickets, price gouging, and other deceptive practices, provide transparency in ticket pricing, and restore integrity to the ticketing marketplace.

"While fans suffer because of this broken system, so do artists" declares a collective statement of support from the Fix the Tix Coalition, which includes the Recording Academy as a founding member. "Predatory resellers view tickets as nothing more than commodities to be traded for outrageous sums, throwing away the cultural and communal value they provide for our society. They exist to undermine the hard work, talent, and livelihoods of artists, inserting themselves as unnecessary and unwanted middlemen who make their money off the backs of the artists and venues who partner to make these events happen."

The Recording Academy is advocating for congress to listen to the artists on the stage and pass meaningful, bipartisan ticketing reforms that protect consumers, elevate creative economic development, and restore trust in the ticketing experience for fans and artists. In fact just this past week, more than 300 artists, including dozens of GRAMMY winners and Recording Academy members, sent a letter to Congress in support of passing the Fans First Act. 

The Recording Academy invites members to engage in one of our actions here with the hope of creating positive change in the music industry. For non-members, your support means the world. Please use your voice to advocate for the rights of creators' and fans on these key issues so we can all enjoy the music we love so much. 

House & Senate Take Critical Steps Toward Ticketing Reform: Learn How

In a landmark victory for songwriters, the U.S. Copyright Office issued a new rule on July 10 that ensures songwriters who reclaim their works from their publishers will also receive streaming royalties for those works through The Mechanical Licensing Collective (MLC).

Recording Academy CEO Harvey Mason Jr. spoke on the ruling: "After years of engagement and activism on this issue, the Academy applauds the Copyright Office for protecting the rights of songwriters and affirming their ability to receive appropriate compensation after reclaiming their copyrights. We also thank our friends in the music community for their partnership and collaboration as we fought for this important victory."

Songwriters often sign over the copyright to their music to publishers who then promote, license, and monetize their work. By law, songwriters have "termination rights" which allow them to end their publisher agreement and regain their copyrights after a period of time under certain conditions. 

However, the MLC — which administers a blanket license for streaming platforms to use songs — initially determined that royalties generated from streams would continue to go to the license holder at the time a song is uploaded to a streaming service rather than to the current copyright owner at the time a song is streamed. 

Starting back in 2020, the Recording Academy, along with other songwriter groups, opposed this practice as it undermined the purpose of termination rights, which exist to level the playing field for songwriters and other creators who may have entered into unfavorable deals. 

Since 2020, the Recording Academy held multiple ex parte meetings with the Copyright Office to discuss the impacts of the MLC's determination, and submitted formal comments and reply comments throughout the Office's rulemaking proceedings.

In stating its position, the Academy argued its belief that termination rights are among the most important protections that songwriters, artists, and other creators have for their work. The Academy also urged the USCO to avoid weakening or infringing on these protections. 

The U.S. Copyright Office has since agreed with the Recording Academy and deemed the MLC's decision an "erroneous" rule, stating that if a songwriter reclaims the copyright to their music, they should receive the royalties. And after multiple years of rulemaking, the Copyright Office published a final rule last week directing the MLC to distribute royalty payments in accordance with the Copyright Act.

The rule:

• Directs the MLC to make future royalty payments to the copyright holder at the time a stream is played.

• Directs the MLC to engage in a "corrective adjustment" process to address any overpayments made due to the erroneous rule. 

The Recording Academy is proud to champion ownership rights for songwriters and to amplify the voices of small creators. For more information about the new rule, visit here.

Watch: House Judiciary Subcommittee Holds "Radio, Music And Copyrights: 100 Years Of Inequity For Recording Artists" Hearing

On July 9, the Recording Academy, in coordination with the National Independent Venues Association (NIVA), participated in the Fix the Tix Day of Action, which aims to ban fake tickets, deceptive marketing, and hidden costs. This joint push mobilized industry organizations, professionals and fans alike to urge lawmakers to pass the Fans First Act.

Backed by the Recording Academy and introduced by GRAMMYs On The Hill honorees Sen. Amy Klobuchar (D-MN) and Sen. John Cornyn (R-TX), the Fans First Act is the most comprehensive reform undertaken to improve the concert ticket marketplace for consumers.

About the Fans First Act, Recording Academy CEO Harvey Mason jr. said: "With the introduction of the Fans First Act today, the Recording Academy applauds Senators Klobuchar, Cornyn, Blackburn, Luján, Wicker and Welch for taking this important step towards comprehensive ticketing reform.

"As we work together to improve the ticket marketplace," he added, "we urge Congress to act on this bill quickly and continue its effort to protect both artists and fans by increasing transparency and limiting bad actors that take away from the joyous experience of live music."

The Fans First Act requires ticket sellers to disclose and itemize fees upfront, prohibits the use of bots to purchase tickets online and requires sellers to refund consumers the full ticket price if the event is canceled. It also penalizes deceptive marketing tactics — like fake websites — that trick consumers into paying more for tickets that may never get them into a show.

Finally, it prohibits the use of speculative tickets. Also known as "specs," these are tickets that a seller claims they possess but do not actually possess. A new case study across five independent venues in the Washington, D.C. area shows that in 2024, 73,000 speculative tickets have been listed for resale at these venues, totaling an estimated $49 million in potentially fraudulent sales.

The Recording Academy is advocating for Congress to listen to the artists on the stage and pass the Fans First Act to protect consumers, elevate creative economic development, and restore trust in the ticketing experience for fans and artists. 

Click here to take action — and keep watching our Advocacy page for updates on how the Recording Academy fights for all music people!

Watch: House Judiciary Subcommittee Holds "Radio, Music And Copyrights: 100 Years Of Inequity For Recording Artists" Hearing

On Wednesday, June 26, the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet held a hearing titled "Radio, Music, and Copyrights: 100 Years of Inequity for Recording Artists." The aim of this hearing was to examine an injustice affecting the music community: creators not receiving royalty payments for public broadcasting of their sound recordings on terrestrial radio.

The hearing explored the legislative proposal, the American Music Fairness Act of 2023, which would require a license for broadcasting sound recording via AM/FM radio, and ensure that music creators receive compensation for their work no matter the platform. You can watch the deliberations below:

The hearing witnesses included country legend Randy Travis, who boasts seven GRAMMYs and 16 nominations; Curtis LeGeyt, the President and Chief Executive Officer of the National Association of Broadcasters; Michael Huppe, the President and Chief Executive Officer of SoundExchange; and Eddie Harrell Jr., the Regional Vice President and General Manager of Radio One, Inc., in Cleveland.

As Travis had a stroke 10 years ago that limits his ability to speak, his wife, Mary Travis, testified on his behalf. Her testimony wrapped with, "We ask your help in righting the wrong… ensure that artists are paid for their work, their identity is theirs alone, and the soundtracks of our lives continue to play on… Forever and Ever, Amen!" evoking one of her husband's most iconic tracks. 

The Recording Academy is a long-term proponent of the American Music Fairness Act. Sponsored by Rep. Darrell Issa (R-CA) and Rep. Jerry Nadler (D-NY), the AMFA is a balanced solution that ensures music creators are fairly compensated when their songs are played on AM/FM radio, but with carefully crafted exemptions to protect small and local broadcasters.

During the hearing, several members of the subcommittee expressed strong support for the American Music Fairness Act, and many encouraged the radio industry to work with artists and record labels on reaching a solution to end the century-long injustice.

The bill recognizes the property rights of creators, while supporting community broadcasters across the United States. For close to a century, performers, musicians, and studio professionals have been denied the basic right to receive compensation for their work when their music is played by AM/FM radio.

From the foundational performers of the past to today's iconic stars and the thousands of indispensable backing vocalists, instrumentalists, producers, engineers, and mixers, precisely zero dollars have gone to the creators behind the music played on the radio. 

To make matters worse, the United States is one of the only countries in the world– a distinction it shares with countries like Cuba, North Korea,and Iran–  where this inequity exists, costing artists hundreds of millions of dollars in lost reciprocal royalties overseas in addition to the royalties that aren't paid at home. 

The Recording Academy has been championing this issue for almost two decades — and they're far from alone. In December of 2022, during the 117th Congress, identical legislation passed out of the House Judiciary without any recorded opposition — just another reason why the Recording Academy has faith that the AMFA has legs.

Click here for ways to support the American Music Fairness Act and get involved in the advocacy for music creators, and stay tuned for more information about the Academy's continued fight for all music people.

How Newly Elected Recording Academy Trustees Are Involved In Advocacy: Dani Deahl, Taylor Hanson & More

The Recording Academy's Board of Trustees has a history of being filled with members that are both passionate about making music and advocating for music creators. The newly elected slate of trustees is no exception and four of the new members continuously show their dedication to advocacy.

Those Trustees are Dani Deahl, Taylor Hanson, Torae Carr, and Sara Gazerak. They're four of a total of 19 leaders of diverse backgrounds and disciplines who have assumed their position on the 2024-2025 Board of Trustees.

Effective June 1, the newly elected Trustees joined the Academy's midterm Trustees, including National Officers Tammy Hurt (Chair), Dr. Chelsey Green (Vice Chair), Gebre Waddell (Secretary/Treasurer), and Christine Albert (Chair Emeritus).

Their mission is to uphold the Academy's core values: to serve and represent the music community at-large through its commitment to promote diversity, equity and inclusion, fight for creators' rights, protect music people in need, preserve music's history, and invest in its future.

About that fight for creator's rights, specifically: read on for these four Trustees' advocacy bona fides.

Dani Deahl

This prominent artist, DJ and producer previously served as the Recording Academy's Chicago Chapter Governor. She's also been a prolific advocate for music makers and the greater music industry. 

In March, Deahl testified in front of the Illinois House and Senate on HB 4875/SB 3325 alongside fellow Chicago Chapter member Jeff Becker. HB 4875/SB 3325 represents a crucial step towards modernizing Illinois's Right of Publicity Act for the AI era.

By granting additional enforcement rights and remedies, the bill was created to shield musicians from exploitation by generative AI systems. While existing copyright laws offer some protection, the amendments directly address gaps in safeguarding an artist's name, image, likeness, and voice.

Shortly after the Academy and Deahl's advocacy efforts in Springfield, HB 4875/SB 3325 passed through both the Illinois House and Senate and is with Governor J.B. Pritzker waiting to be signed into law.

On Friday, May 3, Deahl participated in the Recording Academy's Inaugural GRAMMYs on the Hill Future Forum. Designed to provide a space to explore the most pressing issues facing music, this momentous occasion served as a pivotal platform to delve into the impact of artificial intelligence (AI) on the music community. The afternoon consisted of a series of panel discussions curated to explore both the promise and the peril that AI presents to music makers.

Deahl joined GRAMMY nominated producer, emcee, vocalist, and thought leader, Kokayi, and Recording Academy's Chief Advocacy & Public Policy Officer, Todd Dupler, for the first panel of the afternoon. 

Throughout the discussion, Deahl demonstrated live how she ethically uses AI as a tool to enhance her music, including stem separation, voice or tone replacement, and song generation. Dani also attended and participated in the 2024 GRAMMYs on the Hill Awards and Advocacy Day.

Taylor Hanson

You know that surname: he's a former Texas Chapter President, three-time GRAMMY nominated artist and member of the band Hanson.

Last August, Recording Academy members of the Texas Chapter, including Taylor Hanson, headed to Oklahoma City to meet with state government officials to build up the relationship between the Oklahoma music community and state leaders.

Throughout the day, the group met with Lieutenant Governor Matt Pinnell and the Deputy Director of the Oklahoma Film and Music Office, Jeanette Stanton, at the state's Capitol before heading to the Governor's Mansion.

During the meeting, they discussed the importance of the music community in Oklahoma, ways the state can continue to be involved in supporting the music community, and how the Recording Academy can be a resource for ensuring artists' voices are heard.

At the Governor's Mansion, Hanson participated in a panel with other Texas Chapter members on the Recording Academy and how Oklahoma Academy members and music creators can get involved. Specifically, the group highlighted the Recording Academy's District Advocate Day, which Hanson has been a vocal supporter of.

Taylor Hanson has participated in numerous District Advocate meetings, attended the 2024 GRAMMY Advocacy Brunch, and has also used his social platform to spread awareness about the Recording Academy's grassroots advocacy movements.

Torae Carr

On May 7, 2024, this rapper and former New York Chapter President joined other members of the Recording Academy's New York chapter and took to the state capitol in Albany. The purpose was to advocate for the passage of A 127, a crucial piece of legislation designed to safeguard the creative works of artists across New York.

Throughout the day, the group met with key members of the Assembly to express their support for the bill and highlight the crucial need to protect artistic freedom during legal proceedings.

At the time of the advocacy day, A 127 had already passed through the senate. Since then, it has been voted through the Assembly Codes Committee with the goal to be voted on in the Assembly in the coming days. 

Sara Gazerack

Gazerack isn't just a GRAMMY-winning jazz vocalist: she serves as one of the Los Angeles Chapter's Advocacy Representatives and most recently was a Los Angeles Chapter Governor.

This spring, Sarah joined some 60 GRAMMY winners, nominees, and Recording Academy executives in DC for GRAMMYs on the Hill. Sara met with Rep. Jerry Nadler (D-NY), Rep. Larry Bucshon (R-IN), and policy staff of Rep. Katherine Clark (D-MA).

The Advocacy Day consisted of meetings with Senators and Representatives on Capitol Hill and a visit to the White House for a roundtable discussion on  AI policy, ticket reforms, the National Endowment for the Arts, and the president's work on gun violence, before a special conversation with Press Secretary Karine Jean-Pierre.

The Recording Academy commends these Trustees for their commitment to advocacy for music people — and to follow their future work in this regard, keep checking RecordingAcademy.com/Advocacy for up-to-date info!

Illinois Passes AI Digital Replica Protections Law: What To Know About HB 4875