Photo: Al Pereira/Getty Images
CASE Act Passed In The House, Moves To Senate As Congress Continues To Stand With Creators
Three weeks after District Advocate day, legislation that will simplify and streamline copyright enforcement for independent creators moves one step closer to becoming law
Songwriters, artists and other creators of all levels of financial success scored a big win today in Washington. The Copyright Alternative Small Claims Enforcement Act (CASE Act) has passed in the House of Representatives by the vote of 410-6. The bill lays out a simpler and more cost-effective way for creators to defend their original works against infringement, ensuring basic copyright protection is no longer only afforded to those who can afford costly legal fees associated with Federal court action.
Since its inception, the bill has garnered bipartisan support in Congress as well as a strong backing from the Recording Academy. This month, Academy members across the country participated in District Advocate day and urged lawmakers to vote for this legislation that would eliminate the current unfair advantage against creators.
The #CASEAct would provide creators a streamlined, inexpensive path to fairly resolve small copyright infringement claims outside of court. pic.twitter.com/Qou7AebSxY— GRAMMY Advocacy (@GRAMMYAdvocacy) September 11, 2019
"The Recording Academy applauds the House for passing the CASE Act today, another victory for music creators almost exactly a year after the Music Modernization Act was signed into law,” said Daryl Friedman, Chief Industry, Government, & Member Relations Officer for the Recording Academy. “We also thank the nearly 2,000 Recording Academy members who lobbied their legislators this month for the CASE Act. We now look to the Senate and the White House to get this bill into law and ensure music makers have access to the copyright protection they deserve".
Another voice of support raised up over the weekend in an op-ed in the San Francisco Chronicle by GRAMMY-winning singer/songwriter Fantastic Negrito. The Oakland-based blues artist outlined the current problem quite clearly in his piece entitled "Protecting art from infringement."
"Right now, the only way for any creators to fight for their rights is to take the case to federal court. But who has the money for that?" wrote Fantastic Negrito. "The average federal copyright case costs nearly $400,000 to litigate — not to mention the months it takes to pursue these cases, which take us off the road and out of the studio."
In a @sfchronicle op-ed, GRAMMY winner Fantastic Negrito (@MusicNegrito), details why the #CASEAct is important for ALL music creators. https://t.co/89Av4zJmNp— GRAMMY Advocacy (@GRAMMYAdvocacy) October 21, 2019
To address this dire need to change the system, the CASE Act will create the Copyright Claims Board at the U.S. Copyright office, establishing a small claims court and capping claim damages to provide better and more efficient copyright infringement protection. Simplifying this process and making copyright enforcement affordable to all creators will, in the end, serve everyone.
"It’s my hope that when the full Congress considers the bill, our elected officials will vote to support the tens of thousands of creators and small businesses who will stand to benefit from a stronger, more reliable copyright system," added Fantastic Negrito.
The CASE Act now moves to the Senate, one big step closer to being signed into law on the president's desk. For anyone who loves music and appreciates the creativity and hard work that goes into creating it, now is the time to contact your Senators and urge them to support all creators by co-sponsoring the act. After all, copyright infringement protection should not be reserved for superstar songwriters.
District Advocate Day 2019: Music Creators Raise Their Voices Across The U.S.
Everything You Need To Know About The Recording Academy's 2022 Chapter Board Elections
The Recording Academy's 2022 Chapter Board Elections, open March 29 - April 4, are a pivotal opportunity to serve our local Chapter communities and to help launch the next generation of Recording Academy leaders. Here's everything you need to know.
As we prepare to celebrate music's best and brightest at the 2022 GRAMMYs, officially known as the 64th GRAMMY Awards, we must also recognize those who are dedicated to serving our music community year-round.
The active participation of Recording Academy members makes a difference, whether it's voting in the GRAMMY Awards process, recommending peers for membership, or registering for the District Advocate advocacy movement.
The upcoming Chapter Board Elections are a pivotal opportunity to serve our local Chapter communities and to help launch the next generation of Recording Academy leaders. The results of this election will impact the future of the Academy from the local to the national level.
Here's everything you need to know about the Recording Academy's 2022 Chapter Board Elections before voting opens next week.
When are Chapter Board Elections?
The Chapter Board Elections are typically held in early April of each year. The 2022 Elections are open Tuesday, March 29, at 8 a.m. local time – Monday, April 4, at 11:59 p.m. local time.
What are Chapter Boards?
The Recording Academy's membership is organized into 12 Chapters nationwide. Each Chapter has a local Board of Governors that advises and supports the National Board of Trustees and collaborates with the Chapter President and Academy staff on local programming and Academy initiatives.
Who is eligible to vote in Chapter Board Elections?
Each Chapter's Voting and Professional membership vote in their respective Chapter Board Elections to elect their Chapter's Governors.
Who serves on Chapter Boards?
A Chapter Board is composed of Recording Academy members who are elected to the positions of Trustee; Chapter Officers, which include a President, Vice President, and Secretary; and Governors.
Why is voting in Chapter Board Elections important?
Voting is a right and a responsibility as a member.
While we love hearing creators' voices on stage and on recordings, it's our responsibility to listen to their concerns, ideas and recommendations in order to keep our Academy and our industry moving forward.
Your vote makes a difference.
Voting in this election is an opportunity to help drive the Recording Academy and our music communities forward by electing the best and brightest members to your Chapter's leadership.
Your vote helps ensure a diverse, inclusive and representative Board.
Recording Academy members elected to their Chapter Boards ensure the policies and procedures put in place by the Academy reflect the needs and aspirations of our vastly diverse music community.
Your vote is your voice.
As a member of the Recording Academy, your vote carries weight and is tremendously valued.
How can I vote in the Chapter Board Elections?
When the elections open on Tuesday, March 29, Voting and Professional members will receive an email from the Recording Academy with a direct link to their online ballot. This login will be different from each member's Recording Academy login.
Once you click on your ballot link, review the candidates' bios. Vote for the individuals who you believe will best represent your local music community.
Be sure to submit your Chapter Board Elections ballot before voting closes on Monday, April 4. If you have any questions or issues with your ballot, please reach out to email@example.com.
For more information about Recording Academy Governance or to view the current list of Elected Leaders, visit https://recordingacademy.com/Governance.
Recording Academy Bolsters Membership With 2,710 Music Creators And Professionals Invited
The Recording Academy Announces 3rd Annual "Behind The Record" Initiative To Continue To #GiveCredit To Creators In Music
This year, the Recording Academy's "Behind The Record" initiative, a global social media activation aimed at spotlighting the many creators in music, introduces Behind The Record Advocacy, a new virtual program to discus creators' needs with Congress
The Recording Academy has announced that it will continue giving credit where credit is due with its 3rd annual "Behind The Record" initiative, a global social media activation aimed at spotlighting the many producers, engineers, songwriters, composers, mixers, instrumentalists, and other creators who contribute to the music recording process. Taking place Friday, Oct. 15, the industry-wide conversation encourages artists across all music genres to celebrate their collaborators' incredible behind-the-scenes work on the tracks, records and albums loved by music fans around the world. This year's campaign features a short film, narrated by Recording Academy Board of Trustees Secretary/Treasurer Om'Mas Keith, illustrating that behind every hit song is an intricate dance of creativity that builds and builds to the final product.
A day before the social media activation's launch, on Thursday, Oct. 14, the Recording Academy will introduce Behind The Record Advocacy, a new virtual advocacy program to inform lawmakers about issues affecting the creators behind their favorite records. Building off the success of the Recording Academy's "Behind The Record" initiative, Academy members will meet virtually with members of Congress nationwide to discuss legislation that would have a direct impact on America's recording artists, songwriters and studio professionals, such as the HITS Act and the American Music Fairness Act. With nearly 200 meetings with congressional offices anticipated for Behind The Record Advocacy, members will focus on ensuring that the individuals behind the record are able to earn fair compensation for their work.
"It takes a village to create a recording, and as an organization that serves to support all music creators, we invite our peers to join us in spotlighting the many music professionals behind our favorite songs," Harvey Mason jr., CEO of the Recording Academy, said. "While we celebrate the music professionals behind the scenes, we also recognize the importance of fighting for fair treatment of creators. We're proud of the evolution of 'Behind The Record' to include an advocacy element this year as we continue our ongoing work to ensure all music creators flourish."
"Behind The Record" is supported by the Recording Academy's Advocacy Department, Producers & Engineers Wing and Songwriters & Composers Wing. Supporting all music creators—including the artists behind our favorite records—is an urgent initiative for the Recording Academy year-round. Within the past year alone, the Recording Academy established the Songwriters & Composers Wing to better represent the diverse community of music creators who provide the world with the gift of song. The Academy also reintroduced the HITS Act in the House and Senate, which would allow artists and record producers to deduct 100 percent of sound recording production expenses in the year they are incurred, and continued efforts to support women producers and engineers through its Women In The Mix initiative.
To help the Recording Academy further support creators working behind the scenes, artists can participate in "Behind The Record" by:
- Emailing firstname.lastname@example.org to request an access code to the Credit Cover Generator Portal.
- Posting your Credit Cover across social media channels and tagging those who worked on your project. Use hashtags #BehindTheRecord #GiveCredit #WeAreMusic.
- Artists can create Credit Covers for a single track or album, and covers will live in a gallery on the "Behind The Record" website for music fans to view and discover the roles of creatives behind some of their favorite records.
For the third year, Jaxsta, the world's largest public-facing dedicated database of official music credits, provided credits for Warner Music, Sony Music, Universal Music Group, and Merlin releases.
For more information, please visit the "Behind The Record" website. Follow and join the global conversation on social media using the hashtags #BehindTheRecord, #GiveCredit and #WeAreMusic.
Learn More About The Recording Academy's "Behind The Record" Initiative
Photo: ABC Photo Archives/ABC/Getty Images
Dionne Warwick, Donny Hathaway & More To Receive Special Merit Awards
The Recording Academy has announced this year's crop of Lifetime Achievement Award, Trustees Award and Technical GRAMMY Award recipients
What do Black Sabbath, Sam & Dave and Julio Iglesias all have in common? They are among this year's Recording Academy Special Merit Awards recipients. Today, the Academy announced a prestigious crop of recipients for its Lifetime Achievement Award, Trustees Award and Technical GRAMMY Award.
This year's Lifetime Achievement Award honorees are Black Sabbath, George Clinton & Parliament-Funkadelic, Billy Eckstine, Donny Hathaway, Julio Iglesias, Sam & Dave and Dionne Warwick. Lou Adler, Ashford & Simpson and Johnny Mandel are Trustees Award honorees; and Saul Walker is the Technical GRAMMY Award recipient.
From their power riffs to their dark, gothic imagery, Black Sabbath arguably invented the heavy-metal signposts and influenced every hard-rock band that followed.
Among the most sampled acts of the funk/R&B era, George Clinton & Parliament-Funkadelic’s spacey and masterfully played funk has laid the foundation for countless hip-hop hits.
Singer Billy Eckstine helped break ground for African-American artists in the '40s and '50s as a distinctive jazz singer and bandleader who crossed over to an equally dazzling career in pop.
Donny Hathaway was a versatile soul stylist who built his legend singing both urban protest songs as well as smooth, signature duets with the likes of Roberta Flack, despite his far-too-short career.
Perhaps the most successful Latin crossover artist of his time, Julio Iglesias became an enduring star on the world stage and Latin music’s most popular ambassador of his era.
Soul duo Sam & Dave (Sam Moore and Dave Prater) were one of the primary chart stars at the Stax and Atlantic labels in the '60s, bringing the passion of gospel to their wailing soul sides.
Singing the songs of Burt Bacharach and Hal David in the ’60s, and then scoring hits that bridged pop and R&B in the '70s and '80s, Dionne Warwick has carved out a unique and stellar career among pop/soul singers.
From the Monterey Pop Festival to L.A.’s iconic Roxy Theatre to the careers of the Mamas And The Papas, Carole King and Cheech & Chong, among others, Lou Adler is one of music’s most noted impresarios.
Nickolas Ashford and Valerie Simpson were among the elite songwriting teams at Motown Records, penning modern classics such as "Ain’t No Mountain High Enough" and "You’re All I Need To Get By."
A versatile composer, arranger and jazz musician, Johnny Mandel’s credits include playing in the bands of Jimmy Dorsey and Count Basie and composing immortal movie and television music such as the MAS*H theme "Suicide Is Painless."
Saul Walker was a career-long audio innovator, teacher and mentor. From his early work in rocket telemetry to founding API in 1969, his designs continue to influence the music recording industry.
A special award presentation ceremony and concert celebrating the honorees will be held on May 11, 2019, in Los Angeles. Additional details regarding the ceremony will be announced in the coming weeks.
Emilio And Gloria Estefan $200,000 Music Scholarship Announced
Photo: Courtesy of Linda Perry
Linda Perry Talks Craft, Creativity & Her Biggest Hits In Nashville
The GRAMMY-nominated musical force of nature opens up to an intimate audience about artistry, authenticity and her illustrious career in music
Finding success as a songwriter, artist or producer/engineer is a one-in-a-million shot at best in today's super-saturated music industry, but to succeed at all three takes a remarkable individual. Linda Perry is just that special talent. For a lucky audience at the Recording Academy Nashville Chapter's Craft Session event on June 14 at The Tracking Room, the GRAMMY nominee took a candid look at her remarkable career, her instinctual creative process and the stories behind some of her biggest hits.
Born to a father who loved Frank Sinatra, Willie Nelson, old time country, and jazz, a Brazilian mother with a penchant for Sergio Mendes, and growing up around siblings who loved pop and rock music, Perry's first love was musicals. She cites listening to "The Jungle Book" as the magical moment for her when storytelling and music collided. Later, she discovered the encompassing power of her own voice, the beginning of a career full of music coming naturally to her.
"One day, literally, in San Francisco, I was playing guitar … and then I just started singing," said Perry. "And this huge voice came out of me. … It just took over my whole body and I started crying and my roommate came running down. She was like, 'What was that?' And I'm like, 'It was me!' … Then that's when I said, 'I'm gonna be a rockstar.'"
From there, Perry stumbled into playing music, a self-taught multi-instrumentalist picking up guitar and piano by ear without any trouble at all. These instincts as a musician still guide her in the studio, where Perry let's her ears take over.
"I'm different because I don't know what I'm doing, I just feel it," said Perry. "I pride myself on my drum sounds, and when I get drum sounds they're fat, they're awesome, they're gorgeous, but I don't know what I'm doing. I'm just turning things, moving microphones until it sounds good to my ear. I don't need to know that I'm boosting 2K or bringing down 15K. Who cares about that? I just want to know I'm getting a good sound. … I don't look at meters, I just move microphones."
Every way Perry interacts with music seems to carry this natural, instinctual movement. As a songwriter, there may be ways of forcing ideas to come out, but she admitted that's not how she works. In fact, the question she gets asked most often by songwriters is about dealing with writer's block. Her answer is an enlightening one.
"I don't get songwriter's block because I'm not thinking," said Perry. "Only people who are thinking about writing music get songwriter's block, I just do it. And if it's not there to do, I don't do it."
During the conversation, Perry walked the audience through her journey in the San Francisco music scene in the '90s where she earned a write-up in SF Weekly for her brief but memorable first performance after playing just two songs then breaking a string. and formed her band 4 Non Blondes, whose original name was Lesbian Snake Charmers. She kept her solo career pursuits going while joining the band before combining the two and finding a record deal post haste.
Perry talked about writing "What's Up," the band's 1992 smash hit, and the subsequent struggle to maintain her artistic vision for the song. The album's producer suggested lyric rewrites and production choices that forced Perry to decide between being a team player and standing up for her artistry.
Thankfully, she was able to cut the tune on her last reel of tape and rush it to mastering just in time. Shockingly, it was Perry's first time touching a microphone and crafting sounds in a studio. The raw brilliance of the recording came together in a hurry and created something lasting.
"That recording was my first actual recording, and it's flawed all over the place. I can't stand my voice on that," Perry said. "Everything about it when I hear it sounds amateurish. All those flaws and all those mistakes are what made that song what it was. So the moral of the story is just trust your instincts because we're not here to be perfect. We're here to create an emotion and to create a moment."
Ever since, Perry has tapped into this magic throughout her career in her own music and collaborating with other artists. During the Craft Session, she recounted how she patched together Pink's "Get This Party Started," taking her first crack as sequencing, the arc of her collaboration with James Blunt, her love/hate relationship with the "beyond talented" Christina Aguilera, for whom she penned the 2002 smash hit "Beautiful," and more.
In an industry with so many facets, Perry has grown her career on the foundation of true artistry, tapping into inspiration and authenticity at every stage of the process. Her vision — or the vision of the artist she's working with — always comes first. From there, Perry says it's about craft and creativity, no matter who you are or what your process is.
"It's very important to really understand your craft," Perry said. "There's kids doing amazing albums on GarageBand because they're being creative. You can record on anything if you're creative, you have a good song and you get the emotion."
Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"