The GRAMMYs On The Hill Awards returned to D.C. on April 30 and united lawmakers and artists in an unparalleled celebration of music and human connection. The star-studded event, taking place once again at The Hamilton Live in downtown Washington, began with a rousing rendition of the National Anthem.

The genre-defying electroacoustic duo Arkai took the stage, held their violin and cello, and laid into a reharmonized "The Star-Spangled Banner." Like any exceptional musical performance, it hit like a gale force of humanity. It also showcased how human creativity has always embraced new technology with stirring and inspiring results. 

The power of music to help us reconnect with our humanity provided the foundation for two issues the Recording Academy spotlighted during the evening. The first is the need to protect the image, likeness and voice of individual creators from AI fakes through legislative measures, such as the House's No AI Fraud Act and the Senate's No FAKES Act discussion draft.

But thanks to the threat to likenesses and copyrights that is AI, music's essential humanity is under siege. Ticketing, too, is being hijacked; accordingly, the second issue on the docket is reforming the live event ticket marketplace to better protect artists and fans through legislation including the Senate's the Fans First Act and the House bill the TICKET Act.

And as always, when an existential threat for artists surfaces, the Recording Academy is there to defend its global community of music makers.

Prior to Arkai's thrilling performance, a host of music's best and brightest gathered in front of a step-and-repeat to express their feelings on AI and ticketing in 2024. One was TV producer, musician, and Recording Academy member Candiace Dillard Bassett, who had the honor of hosting the GRAMMYs On The Hill Awards.

Bassett conceded there are a lot of components of AI that are "beneficial to our everyday lives." However, "If it's not being contained, then it's a danger. It's abusive," she said. "As creators, we deserve to have our likeness and our images. It's very simple.

"The biggest challenge is knowing that the artists' economy can be really diminished by technology," said three-time GRAMMY winner and three-time nominee, poet J. Ivy.

GRAMMY-winning jazz singer Sara Gazarek noted the importance of artists themselves raising their voices — not just tech giants and the like. "Not just business owners and CEOs and people who are set to profit from some of these things," she said, "but really the ones who are representing culture and the human side of what it is that we're doing."

And Todd Dupler, the Chief Advocacy & Public Policy Officer at the Recording Academy, put it gravely: "We've already seen the technology get to the place where people can have their voice or their image manipulated in ways that they would've never approved of or would never have never intended somebody to see."

On the topic of ticketers' rights, artists were equally vociferous.

"You can only garner the trust of your fans once," said two-time GRAMMY winner, singer/songwriter Lauren Daigle, noting her $40 shows have ballooned to $400 thanks to intercepting bots. "I feel like it's time for change. We need to create legislation that's going to stop this from happening."

This year's Best New Artist nominees, the War on Treaty, concurred. "Based on where their paychecks land, I think that that's a difficult conversation," said their Michael Trotter Jr. "I think that we should remember the human. I think we need to remember that art touches everyone and that we need to do everything we can and make it as accessible as it can."

"We need our fans, and they need us to give an exchange," said thrice-nominated rapper Rapsody. "We can't take advantage of their fandom and their pockets."

"It's a bipartisan issue," concluded Dupler. "Everybody understands how important live music and live events are for our community, and so we're optimistic that we can get something done."

And with that, the audience took to their feet for Arkai's patriotic performance. 

As mentioned, Bassett led the program as master of ceremonies with aplomb. The gestalt of GRAMMYs On The Hill 2024 was to honor Sens. John Cornyn (R-TX) and Amy Klobuchar (D-MN), who've reached across the aisle to protect the music community.

Sen. Cornyn, a dogged fighter against ticket predation, was the first to receive his GRAMMYs On The Hill Award.

"What I love about music is that it's a universal language that connects people to each other, across borders, across boundaries," he said. "This bill takes the power out of the hands of the bots, the bad actors, and puts it back in the hands of the people that make live shows so special."

Right then, the spousal duo War and Treaty — who are about to open for the Stones in stadiums — manifested that power with a killing performance of "That's How Love is Made." ("Everything in life boils down to the human experience," Trotter declared beforehand.)

A rousing performance of gospel classic "Oh, Happy Day" followed, led by The Choir Room's Dwan Hill. Hill cajoled the capacity room of lawmakers and industry leaders to rise to their feet and share in a communal, squarely flesh-and-blood, musical experience.

Then, Tammy Hurt, the Chair of the Recording Academy's Board of Trustees, brought out an unwavering advocate — and Minnesota legend — in Jimmy Jam. He presented the second GRAMMYs On The Hill Award to Klobuchar, "for her unprecedented leadership and allyship to music and its makers."

In her witty and wide-ranging speech, Klobuchar brought the audience's memories back to Covid, and its catastrophic effect on the live music industry. "Now that music is back and concerts are back big time," she declared, "the important job of working across the aisle to bring common sense rules to online ticketing."

Recording Academy CEO Harvey Mason jr. then took the stage. "Music is irreplaceable. Do you agree?" he poignantly asked the audience. "This means the people behind the music are irreplaceable — do you agree with that?

Mason was quick to point out that AI isn't all bad — in and of itself, it's not a bogeyman to defeat.

"Some of this technology, it's really exciting," he said. "It's going to be used by innovative creators to make some amazing and incredibly creative new music, I'm sure… but I'm also concerned. We've seen it used to manipulate and exploit individuals without their knowledge, without their permission.

"And that's why we're advocating for appropriate AI guardrails that will safeguard the irreplaceable human creators behind the music," he concluded, "while we lean into the promise and the possibilities of this new technology."

Daigle then took the stage to perform an effervescent "Soak Up the Sun" in tribute to the night's marquee honoree. Then Crow herself, the 2024 Creators Leadership Award honoree, took the stage in a cream-hued pantsuit. Crow performed one new song ("Evolution") and one classic ("Every Day is a Winding Road"), augmented by miles of slide guitar.

"Music is the energy that moves your body," the nine-time GRAMMY winner, 32-time nominee, and tireless advocate for creators' rights underscored. "It does not exist in a computer." Of course, computers are blessings — they're responsible for monumental music.

But it always comes back to the human — and whether through the lens of AI or ticketing, the 2024 GRAMMYs On The Hill Awards were a celebration of all things we dreamt up.

The 2024 GRAMMYs On The Hill Awards were sponsored by City National Bank and benefited the GRAMMY Museum.

2024 GRAMMYs On The Hill: How Sens. John Cornyn & Amy Klobuchar Support Music & Advocate For Creators' Rights

In an exciting step forward for the music community, the House of Representatives recently passed H.R. 3950, the Transparency In Charges for Key Events Ticketing (TICKET) Act, by an overwhelming bipartisan vote of 388-24. This legislative success comes just two short weeks after the Recording Academy's GRAMMYs on the Hill Advocacy Day.

During the GRAMMYs on the Hill Advocacy Day, over sixty GRAMMY winners, nominees, and Recording Academy executives met with members of Congress to push for ticketing reform, including the House's TICKET Act and the Senate's Fans First Act. Throughout the day, the artist advocates told lawmakers how the broken ticket marketplace impacts their daily lives. Among the group was 2-time GRAMMY winner, Lauren Daigle, who detailed her experiences with bots and resellers driving up ticket prices, emphasizing the impact it has on the individuals hoping to purchase tickets to her shows. These conversations highlighted the importance of protecting the human connection that live music fosters between artists and fans and the clear need for ticket reforms to be passed by congress.

The House-passed TICKET Act brings transparency to the ticketing marketplace by implementing all-in pricing and takes major steps toward ending the harmful practices of speculative ticketing and deceptive websites. The bill, which also guarantees refunds for event cancellations, denotes serious progress in the fight to improve the ticketing marketplace.

The Recording Academy urges the Senate to seize this moment and pass S. 3457, the Fans First Act. The Fans First Act builds upon the House TICKET Act by strengthening its provisions against speculative ticketing and deceptive websites and improving price transparency by not only requiring all-in pricing, but mandating upfront itemization so fans know what they're paying for from the start. The Fans First Act also increases consumer protection by strengthening the BOTS Act and the FTC's ability to enforce any violations.

Upon its passage, Recording Academy CEO, Harvey Mason Jr. expressed gratitude for the bipartisan support and the swift movement of the TICKET Act through the House.

"Today's passage of the TICKET Act by the House of Representatives marks a significant step forward toward improving the concert ticket marketplace. The TICKET Act was a key focus of GRAMMYs on the Hill two weeks ago, and the Recording Academy thanks our Congressional leaders for bringing the bill to a vote shortly after meeting with Academy members.

We now urge the Senate to act quickly to incorporate the strong provisions contained in the Fans First Act and move a comprehensive ticket reform package that will provide transparency and protect artists and their fans. 

The passage of the TICKET Act represents a critical step toward dismantling the predatory practices that undermine this connection. It is a crucial step toward ensuring a more equitable and sustainable marketplace. The legislation not only benefits consumers but also safeguards the livelihoods of artists who depend on fair ticket sales. Its passage proves the power of advocacy and the importance of legislative action in preserving the special bond between artists and their audiences.

As we look forward to the Senate's taking further action on ticketing reform, the Recording Academy will continue to fight for a fairer, more equitable ticketing marketplace that ensures the connection between music makers and fans remains strong and untainted.   

Inside The New York Chapter's Advocacy For The Passage Of A. 127 — How It'd Help Protect Artistic Freedom

On Tuesday, May 7, members of the Recording Academy’s New York chapter took to the state capitol in Albany. Their mission? To advocate for the passage of A.127, a crucial piece of legislation designed to safeguard the creative works of artists across New York.

At the heart of A.127 is the protection of artistic freedom during legal proceedings. The bill, which has already passed in the Senate, seeks to create standards for when an artist's creative work may be used in criminal trials. If enacted into law, this measure would be a significant step towards ensuring that creators can express themselves freely without fear of their work being weaponized against them.

During the Albany Advocacy Day, Recording Academy advocates held meetings with the Assembly Speaker, Carl Heastie, Codes Chairman, Jeffrey Dinowitz, Assembly sponsor, Catalina Cruz, along with key members of the Assembly Codes Committee including, Gary Pretlow, Andrew Hevesi, Linda B. Rosenthal, John Zaccaro, Jr., Kenneth Zebrowski. In addition to these meetings, Recording Academy members met with Lieutenant Governor Antonio Delgado, the powerful Assembly Black, Hispanic, and Puerto Rican Caucus, and the Assembly Codes Staff. Many key Senators stopped by meetings to reiterate their support for the legislation, including Senate sponsor and Codes Chair, Jamaal Bailey.

Advocates included New York Chapter President Torae Carr, iconic rap artist and producer Papoose, producer and composer Ray Angry, and CEO of 300 Entertainment Kevin Liles. Additionally, Granville Mullins, GRAMMY Nominated Songwriter/Musician, Nathaniel Reichman, GRAMMY Nominated Producer/Mixer, Cassandra Kubinski, Singer/Songwriter, William Derella, Artist Manager and Lynn Gonzalez, Partner, Granderson Des Rochers, LLP were in attendance.

While leaving Albany, Papoose shared an impassioned plea to his followers on Instagram to support the effort.

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A post shared by Papoose (@papoose)

Just one week later, on May 14, the Assembly Codes Committee advanced the bill out of committee to the Rules Committee, Chaired by the Speaker, priming it for full consideration by the Assembly in the coming weeks.

One of the key issues Academy advocates highlighted in their meetings regarding A.127 is the disproportionate impact that the current practices have on certain communities, particularly Black and Brown artists, who often find their work unfairly scrutinized and misinterpreted in legal settings. While the legislation is not genre-specific, it acknowledges the historical targeting of hip hop and rap artists and seeks to rectify this by requiring prosecutors to show the relevance and admissibility of creative works in court.

The significance of A.127 cannot be overstated, particularly in a state as culturally rich and economically influential as New York. The music industry is a large part of the state's economy, providing over 200,000 jobs and contributing close to $20 billion to its GDP. With a vibrant community of 129,000 songwriters, New York needs to enact this critical legislation that will protect the state's music community.

The Recording Academy’s continued advocacy for A.127 only further highlights the Academy’s dedication to protecting the rights of music creators and upholding the fundamental principles of free expression. As the bill moves forward, it is essential for lawmakers to recognize the importance of protecting creative freedom and ensure that New York remains a beacon of artistic expression.

Inside The Inaugural GRAMMYs On The Hill Future Forum, Exploring The Impact Of AI On The Music Community

On Friday, May 3, an innovative event unfolded in the heart of Washington, D.C., as the Recording Academy in collaboration with the Human Artistry CampAIgn orchestrated the inaugural GRAMMYs on the Hill Future Forum. Designed to provide a space to explore the most pressing issues facing music, this momentous occasion served as a pivotal platform to delve into the impact of artificial intelligence (AI) on the music community.

The afternoon commenced with a series of captivating panel discussions, each curated to explore both the promise and the peril that AI presents to music makers. Moderated by Todd Dupler, the Chief Advocacy & Public Policy Officer at the Recording Academy, the first panel featured esteemed industry figures including Dani Deahl, a distinguished DJ, producer, Governor for the Recording Academy's Chicago Chapter, and Head of Communications and Creator Insights for BandLab, alongside Kokayi, a GRAMMY-nominated artist renowned for his prowess as a producer, emcee, vocalist, and thought leader.

Insights flowed as panelists dissected the relationship between AI and human creativity, shedding light on the transformative potential of AI-driven tools in music production, composition, and distribution. Dani Deahl demonstrated live how she ethically uses AI as a tool to enhance her music, including stem separation, voice or tone replacement, and song generation. One demonstration used tone-altering AI to record Kokayi and make him sound like a female pop artist.

Deahl explained how this AI technology represented an ethical, pro-artist approach to AI because the artist whose voice was used entered into a licensing agreement with the platform, the voice recording was pulled from works specifically created for the platform, and the artist is compensated every time her tone is used — including during the demonstration. The panel went on to discuss how artists embraced new technology in the past and how present technology changes the way we create music.

Following this illuminating discussion, the stage was set for the second panel, moderated by Michael Lewan, the Managing Director of Advocacy & Public Policy at the Academy. Dr. Moiya McTier, a Senior Advisor at the Human Artistry Campaign, joined with Juan Winans, a three-time GRAMMY nominated artist and songwriter, and Michael Hendrix, the Policy Director for Gov. Bill Lee of Tennessee. Diving deeper into the threats that AI poses to artists and creators, the panelists discussed policymaking when it comes to AI—including the ELVIS Act, which recently became law in Tennessee and is the first law of its kind to protect individuals from AI models misusing their name, image, and likeness.

The Future Forum is one of many ways the Recording Academy has been engaged in the conversations surrounding AI. Last year, the Recording Academy also teamed up with members of the music community for the Human Artistry CampAIgn which launched in March of 2023. This Campaign is a coalition focused on protecting human art and creativity as artificial intelligence continues to develop. In addition to joining this coalition, the Recording Academy has played a significant role in safeguarding human creativity and helping creators navigate artificial intelligence.

Days prior during the GRAMMYs on the Hill Advocacy Day, the Recording Academy brought together 60+ GRAMMY winners and nominees along with Academy executives to advocate for legislation such as No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft, which protects artists image and likeness.

As the Future Forum panels ended, the convivial atmosphere transitioned seamlessly into a vibrant reception, where Recording Academy members from the DMV, Philadelphia, and New York convened. Against the backdrop of stimulating conversations and shared insights, attendees exchanged ideas, forged connections, and celebrated the perfect ending to an eventful GRAMMYs on the Hill week.

The Recording Academy will continue to advocate and hold discussions surrounding fostering human connection and artistic excellence in the age of AI and the GRAMMYs on the Hill Future Forum served as a testament to this commitment. As music's biggest week in Washington, D.C. reached its crescendo, the inaugural Future Forum reinstated the importance of a future where AI augments — rather than deters — human creativity.

Here's What Went Down At Advocacy Day 2024: The Fight For AI Safeguards And Ticketing Reform Hit Capitol Hill

"We have a short window of time this morning, where we're going to download a lot of information into your brain." So told Todd Dupler, the Recording Academy's Chief Advocacy & Public Policy Officer, early in the morning of May Day, to a small, still-waking-up, but attentive crowd at the Hamilton Live in Washington, D.C.

After Michael Lewan — the Recording Academy's Managing Director of State and Federal Advocacy — laid down some logistical ground rules, the throng set forth into the pre-summer mugginess to advocate for two crucial policy needs.

The first is calling on Congress to protect the image, likeness and voice of individual creators from AI fakes through legislative measures such as the No AI FRAUD Act in the House of Representatives and the Senate's No FAKES Act discussion draft. 

The second is reforming the live event ticket marketplace to better protect artists and fans through legislation including the Fans First Act and a similar House bill, the TICKET Act.

After the morning briefing, groups with advocates went to the U.S. Capitol for dozens of meetings with bipartisan and bicameral legislators to seek their support for these important issues and bills. Throughout the morning, Academy members met with Senate Majority Leader Chuck Schumer (D-NY), House Majority Leader Steve Scalise (R-LA), House Minority Leader Hakeem Jeffries (D-NY), Senators Marsha Blackburn (R-TN), Shelley Moore Capito (R-WV) and Peter Welch (D-VT), along with multiple House Chairs and Ranking Members, and other influential leaders.

After these initial meetings, the GRAMMYs On The Hill 2024 advocates stopped by the historic Nancy Pelosi Cannon Caucus Room to park, dine on lunch, and meet with more key champions.

After introductory remarks from Lewan, the No AI Fraud Act's lead sponsor, Rep. María Elvira Salazar (R-FL) — who Lewan praised as "the brains behind it" — took the podium. "Your identity is in danger because of artificial intelligence," Salazar asserted.

And she drilled down into why — which involved portents far afield from music peoples' rights.

"Did you know that right now, someone with not very good intentions, can grab the image and voice and likeness of your daughter or so, and transfer that information to make pornography?" Salazar said. "Someone produces your voice and likeness and insults a boss, and you may be fired."

Rep. Madeleine Dean (D-PA), Salazar's lead co-sponsor of the No AI Fraud Act, echoed the congresswoman's sentiment. "It's not just about the use of your likeness," she said. "You have the right to ask permission to get compensated for it.

Following the lunch briefing, the 60 plus advocates headed back across the nation's capital to 1600 Pennsylvania Avenue for a special roundtable discussion with senior members of the Biden-Harris Administration. While at the White House, advocates were briefed on AI policy, ticket reforms, the National Endowment for the Arts, and the president's work on gun violence, before a special conversation with Press Secretary Karine Jean-Pierre. 

And with that, with another successful Advocacy Day in the bag, music advocates went home assured that they'd made a phenomenal difference in the music landscape.

To those who would abuse the ticketing system — meet the true music fans. And, to those who'd leverage artificial intelligence against real peoples' autonomies — meet human power.

The 2024 GRAMMYs On The Hill Awards were sponsored by City National Bank and benefited the GRAMMY Museum.

How The House's No AI FRAUD Act And Tenn.'s ELVIS Act Will Protect Human Creativity